Yellow Jasper Lion Gemstone in Gold Ring

The eagle modelled in the round standing on top of a large head of a stag with curving antlers touching the bird's wings, the eagle with its legs held apart and its long talons spread across the head, the wings slightly raised and the head turned to the right whilst gazing down towards the stag; detailed plumage; accompanied by a custom-made display stand. 544 grams, 97 mm (621 grams total, 15 cm high including stand)



Acquired in 1997 from a Canadian dealership. From a North American gentleman's collection. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

The motif of an eagle and a stag or a deer is typically associated with the God Jupiter/Zeus Dolichenus and his wife Juno Dolichena, name derived from his sanctuary in Doliche, Anatolia. Jupiter Dolichenus was a soldier god, usually portrayed wearing full military attire and standing on a bull, while his consort would have been shown standing on a deer or stag.

Each with a hollow-formed crescentic hoop, piriform plaque with inset glass panel and granulated border, hollow-bulb cluster beneath with three applied piriform plaques and granule finial. 9.26 grams total, 37-38 mm



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12393-226929. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

As a result of the expansion of the Roman Empire, jewellery became more and more elaborate in its designs and materials used, such as precious and semi-precious gemstones. This pair of earrings represent a highly baroque evolution of the boat-shaped type, already visible in Etruscan jewellery and certainly in Roman jewellery, as demonstrated by the excavations of Herculaneum. Using the body of the boat-shaped earrings, the late Imperial artist added decorative clusters and applications of pearled borders and precious stones, according to the taste of Eastern Hellenism rooted for centuries in the provinces of the Black Sea and Roman Asia.

Piriform in profile in aqua glass with broad flared neck; applied trails to the neck, dimple base; areas of iridescence. 38 grams, 98 mm



From a London, UK, collection, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.