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LOT 1342
Western Asiatic Terracotta Rooster Vessel with Loop Handle
1ST MILLENNIUM B.C.
5 7/8 in. (374 grams, 15 cm).
Hollow-formed aviform vessel with ribbed loop handle to the centre, vent below the dentilled collar.
ProvenanceUK collection, 1990s.
Acquired on the UK art market, before 2000.
Private collection, Mr M.V., a London-based businessman.
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AUCTIONS:
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LOT 1342
Western Asiatic Terracotta Rooster Vessel with Loop Handle
Sold for (Inc. bp): £338
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Chalcolithic Seated Terracotta Figure
3rd millennium B.C.Sold for (Inc. bp): £293
Modelled in the round seated figure with looped arms and applied collar, pinched nose. 128 grams, 13 cm high
Ex important collection of a late gentleman, 1980s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Western Asiatic Stone Implement
1st millennium B.C.Sold for (Inc. bp): £39
Square in section with segmented body and forked end; possibly a yarn-winding tool. 50 grams, 10.6 cm
with Archaeologia, Switzerland, before 1983. Ex private North American collection. London private collection, 2016. -
Western Asiatic Bronze Incense Burner in the Shape of an Eagle
9th-11th century A.D.Sold for (Inc. bp): £5,980
With outstretched wings and erect body, open beak and eyes hollowed to accept inserts, five-feather spread tail and a rectangular socket to the back; mounted on a custom-made display stand. 430 grams total, 11 cm including stand
Béla Hein collection, Paris, France, before 1931. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12569-232077.
Béla Hein (1883-1931) was a prominent dealer and collector of African art in early 20th century Paris. In the early 1920s, he founded a gallery specialising in African art, contemporary sculpture, and a variety of curiosities, including antiquities. Hein's influence extended across the art world, and his collection reflected a keen eye for both historical and aesthetic significance.
