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LOT 1085
Western Asiatic Terracotta Idol
3RD-2ND MILLENNIUM B.C.
4 in. (33 grams, 10.1 cm high).
Free-standing; formed with a pinched face, hair held in a bun at the back of the head, arms folded across the waist, wearing a neck collar and possibly a headdress; splayed foot.
ProvenanceAcquired in the 1970s.
Ex European private collection.
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AUCTIONS:
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LOT 1085
Western Asiatic Terracotta Idol
Estimate £400 - 600€460 - 700 (for guidance only)$540 - 810 (for guidance only)
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Old Babylonian Cuneiform Administrative Tablet Listing Twelve Names
20th-19th century B.C.Sold for (Inc. bp): £1,170
Tongue-shaped tablet with impressed cuneiform text to one broad face and the upper part of the reverse. 73 grams, 76 mm
From the private collection of the late Dr D.G., 1990s. -
Islamic Leather-Bound Manuscript, Two Books on Mathematics
1095 A.H.Estimate: £1,200 - 1,700 (+bp*)
Opening Bid: £600
Rebound as a hardback with full leather binding, central arabesque foliage panel to each cover; title page with triangular block of naskh text with red marks; first set of text pages typically with 31 lines of cramped naskh script in black ink with red highlighting, hand-drawn geometric figures with numerical notation relating to angles, etc; second set with looser script typically in 23 lines with marginal notes and red underscoring, tables and perpendicular text blocks. 232 grams, 16 x 21.5 cm
From an important family collection started in the late 1950s. Property of a West London, UK, gentleman.
The texts are: (1) 'Ghaniat alhisab' (In Arithmetic) the classification by Judge Jamal al-Din Ahmad bin Ali Ibn Thabit (2) 'Alkaayib' (In Calculating Mathematical Copies) by the computer scientist Shihab al-Din Ahmad ibn Muhammad ibn al-Ha'im al-Magdisi, written out by Yusuf ibn Hussein Hamouda Al-Habibi in the year 1095 A.H. (1683 A.D.). -
Luristan Bronze Pomegranate-Shaped Bell
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Openwork cage of D-shaped bars with loop to one end and radiating spiked knop to the other; rumbler ball inside. 186 grams total, 85 mm
From a collection of a gentleman, acquired on the London art market in the 1990s.