Western Asiatic Terracotta Idol

Comprising two halves decorated in chased low relief, each half with a standing winged figure dressed in long embroidered tunic, holding a stylised snake(?) in the raised hand, the other hand extended along the wing; the left side with three attachment hooks and the right side with a perforated plaque with two lines of holes providing the possibility of extending the belt. 191 grams total, 80 mm each

Nice bronze patina with small scratches on the surface, antique deformations

Acquired prior to 2000. British private collection of Mr D.M., London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11753-202365.

The genii symbolised both protection and fertility - their role was to safeguard and replenish the ancient kingdom of Assyria and therefore, on a personal buckle, the wearer of the belt. The representation of divine genii upon a belt plaque provided a link with the king and with the royal family, and it could be that such a belt was worn by important dignitaries, although the structure of the belt and its composition exclude the possibility of military use.

Comprising tubular and fusiform lapis lazuli beads. 30 grams, 58 cm long



Acquired 1980-2015. Ex Abelita family collection.

With eight projecting vertical flanges and a circular shaft hole. 310 grams, 67 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

In the Caucasus, the combat mace was very popular throughout the late Bronze Age and the Early Iron Age. The maces could have spiked bronze knobs or often less corrugated, or round, knobs which could also be effectively used.