Western Asiatic Style White Metal Pendant with Carnelian Calligraphic Gemstone

Tightly-coiled wire band with graduated profile, domed disc closure with repoussé central boss and pellets to the rim, pendant formed as a rectangular frame enclosing two fusiform banded agate and another fusiform bead, barrel-shaped gold collars and coiled wire finials. 37.20 grams, 66 cm



with Ancient and Islamic Art Ltd, 1993. Private European collection, early 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate no.12597-232360. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

In Old Bactria there are a number of necklaces with compartmented chlorite rosettes containing settings in lapis lazuli, cornelian, and turquoise, which seem to indicate a tradition of purely local taste; together with these should be considered other examples in twisted gold lamina, like our example, with pendants in gold or in semi-precious stones such as rock crystal.

Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of soft Black Stone, 18 x 18 mm. The art shows a row of three horned animals, each distinct from the other two by its horns. Over the backs of two there is a ladder motif. This is a seal of the Jemdet Nasr period, c. 3000 B.C., from Mesopotamia or south-west Iran. The bodies of the animals are carefully modelled and the whole work is deeply engraved so that in the impression the animals stand out in deep relief. Of its kind this is a good example, in fine state of preservation. The ideology behind this scene comes from temple herds, because ordinary people rarely owned the larger domesticated animals, but normally sheep and goats. Thus cattle and other horned quadrupeds which were being domesticated at this time were the prized possession of the community. The ladder pattern is probably a stylized form of an ear of barley, which occurs (disproportionately large) behind the animal in some more detailed seal of this period.'; supplied with a museum-quality impression. 10.77 grams, 17 mm



From the private collection of a North American lady, formed 1970s-early 1990s, with collection reference no.119-2. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert dated December 1991. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Restrung to a Y-shape using variously shaped beads in blue, green and cream. 19.3 grams, 37.5 cm



Ex London, UK, collection, 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.