Western Asiatic Stone Macehead

Showing a combat of gods; accompanied by a museum quality impression and a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal of Black Stone 27 x 16 mm. The design shows a combat of gods: all three wear horns on their heads as a mark of divinity. To each side of the scene is a god in long robe from waist to feet, open at the front with one leg projecting. They stand grappling with a god on one knee between them. He wears a robe of similar length, but not open at the front. Diagonal lines rise from the robes of the two attacking gods, probably marking them as fire gods. A stylised tree serves as a terminal. This is an Akkadian seal, c. 2500-2200 B.C. It is one of the rarer designs to see gods, and such fighting gods are not seen in other periods. But we have no written form of the myth to explain exactly what is happening. the seal is in very good condition and has an interesting design.' 12 grams, 27 mm



From the private collection of a North American lady, formed 1970s-early 1990s, with collection reference no.589/3. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert and an old photograph.

Broad bowl with carinated inner edge to the and chamfered rim, law basal ring; upper face glazed with floral design picked out in blue and grey, circumferential rings below the rim and panels of radiating stripes and blue glaze. 710 grams, 24.6 cm



S. Morad collection. From the collection of M. Hugues Rosset, Switzerland. Private Swiss collection, acquired from M. Hugues Rosset in 1998.

Formed as three vertical bars joined near the base; accompanied by an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Stamp Seal of Bronze 54 x 48 x 26mm This bears the shape of the design, with flat face and flat back, on which is mounted a handle of angular shape with rounded top. The piece has roughly three parallel vertical segments, which join in the middle, the whole being surrounded by a rim. Each segment has a row of dots in it: four in the two outer segments, six in the middle one, which is longer. This comes from western central Asia and dates to c. 2300-2000 B.C. It is extremely rare for its design, which may be understood as a stylized depiction of a standing four-winged god, but this is not completely certain.The piece is generally in good condition, but is a little bent.' 25 grams, 53 mm



Ex S collection, deceased, London, UK, 1990s. Accompanied by an original scholarly note, typed and signed by Professor Wilfrid George Lambert.