Western Asiatic Stone Implement

Formed as a Master of Animals atop a collared tubular stem with flared foot; the finial composed of two goats with heads returned and a looped band at the rump, above these two birds standing looking up towards two quadrupeds each with a bird's head on the rump; each in the grip of the Master standing crowned between them; the Master with tubular body, animal-like ears, prominent nose above a small mouth and wearing collars, neck rings and tiered headdress with addorsed bovine heads; waisted socket below and flared dentilled rim; mounted on a display stand. 916 grams total, 43 cm including stand



Acquired in Iran, 1967. Private collection, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12824-241323.

The “Master of Animals” is a long-lived Near Eastern motif showing a central figure—human, heroic or divine—grasping two confronting beasts, usually by their necks or forelegs. First seen in late 4th–3rd millennium BC Mesopotamian seals, it spread across Iran, Anatolia and the Levant and remained current into the 1st millennium BC. Its meaning is straightforward and powerful: control over the wild, the protection of order, and the sanction of royal or divine authority. The image appears on seals, plaques and weapons, and in the round on bronze fittings and finials (notably in Luristan), where it likely marked status and carried an apotropaic force. For collectors, the type is prized for its clear silhouette and economy of form, the instant legibility of a hero mastering chaos, a theme as old as the first cities and as compelling today.

With a deep hemispherical bowl and three stub feet, two lateral trapezoidal flanges to the rim, each with an arched handle; similar flange to forward edge with reserved panel of scrolled foliage; to the rear, flange with shallow median socket decorated with scrolled tendrils, two lateral discs each with a star of intersecting triangles; signed by Muhammad Bin Husayn. 5.75 kg, 43.5 cm



with Christie's, South Kensington, Art & Textiles of The Islamic & Indian Worlds, 8 April 2011, no.150. Private collection, UK.

Rectangular in plan with vent and pouring channel to the reverse, incuse rosette pattern to obverse. 49 grams, 37 mm



From the collection of a Buckinghamshire, UK, collector established from the earlier 1960s.

Intended for one-piece casting for small jewellery components.