Western Asiatic Stone Bowl with Birds

Discoid with large looped handle to the reverse; accompanied by typed and signed note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993, which states: 'Stamp Seal of Bronze, 22 x 20 x 26mm. This has a round, slightly concave face and a back which rises steeply to a stalk handle with pierced loop. The design on the face, done in intaglio, consists of a walking winged quadruped with tail raised. This comes from west central Asia and dates to c. 2000-1500 B.C. It is a less common type, and the metal is sound.' 21 grams, 26 mm



Ex collection of a late London gentleman, 1990s. Accompanied by an original typed and signed scholarly note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Standing on a flanged base with a weapon in each hand, baldric with axe to the shoulder. 196 grams, 15.7 cm



Acquired in Paris and London, 1970s. From a collection of Canaanite gods in bronze, from the collection of a London, UK, gentleman. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12701-234381. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

With two standing figures; accompanied by a museum quality impression and a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states:Cylinder Seal of Dark Green Stone 55 x 22 mm. The engraved are divides into two main parts. In the major part two standing human-like figures are shown with one hand joining that of the other figure and the other held at the waist as if ready for action. Between them is a small similar figure with arms outstretched. Above are two concentric circles, and sundry shapes and linear motifs fill spaces. The minor part shows two pairs of horned animals tête bêche to eath(sic) other pair. The bottom two, with rising horns, face each other; the top two (one a stag, the other with different horns) are in a line. A snake and various shapes fill the spaces. Upper and lower rules enclose the design. This is a North-Syrian or Anatolian seal, c. 2800-2400 B.C. It is exceptionally large, in very good condition, and outstanding in every way.' 47 grams, 55 mm



with Sotheby's Antiquities, London, 10-11 December 1992, no.74. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in 1992.

Seals were the working signatures of the ancient Near East. Pressed or rolled into wet clay, they secured jars, bags, doors and tablets, and left a distinct impression that identified the owner, authorised a transaction, and showed whether a container had been opened. Stamp seals (pressed once to leave a single emblem) appear from the 7th–4th millennia BC and continue throughout later periods; cylinder seals (rolled to create a repeating frieze) developed in Mesopotamia in the late 4th millennium BC and are used into the 1st millennium BC. Beyond administration, seals were miniature artworks and amulets. Their images—gods and worshippers, royal hunts, banquets, heroes and mythic beasts—broadcast rank, piety and profession, and were believed to protect the owner. Materials range from soft stones to hard chalcedonies, haematite and lapis, worked with drills and abrasives to achieve crisp intaglio cutting. Many were worn on cords or rings and followed their owners through life, sometimes into the grave. Seals matter because they underpin the earliest systems of record-keeping and trade. Impressions on tablets and bullae are primary documents for ancient law, economy and religion; the seals themselves preserve that imagery in the round. For collectors, well-cut examples with sharp impressions, good polish and honest ancient wear are especially desirable, and pieces with early collection histories are keenly sought.