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LOT 0312
Western Asiatic Silver Architectural Ring
12TH-13TH CENTURY A.D.
1 3/4 in. (35 grams, 45.64 mm overall, 18.81 mm internal diameter (approximate size British P 1/2, USA 7 3/4, Europe 16.86, Japan 16)).
D-section hoop with boss to underside and cell to each shoulder, cruciform plaque supporting a four-legged drum-shaped structure with granule finial.
ProvenanceAcquired in the 1980s.
Private collection, Switzerland, thence by descent.
Private collection, since the late 1990s.
This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12718-234695.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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LOT 0312
Western Asiatic Silver Architectural Ring
Estimate £1,800 - 2,400€2,090 - 2,780 (for guidance only)$2,430 - 3,240 (for guidance only)
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Mitanni Faience Cylinder Seal with Worship Scenes
Circa 1500-1200 B.C.Sold for (Inc. bp): £364
Accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: ' Cylinder Seal of Faience with Turquoise Glaze 30.5 x 14.5 mm. The design consists of a stylized sacred tree and either side of it a standing stag with rump next to the tree, but head turned back. The end of the scene is marked by a simple guilloche in vertical position. The design is framed by a line above and another beneath. This seal is Mitanni, c. 1500-1200 B.C., and from anywhere between Syria and Western Kurdistan. It is a product of the Hurrian civilisation of the area, and the stylized tree is a symbol of the storm god, Hurrian Teshub, Babylonian Adad, Hebrew Hadad or Baal. The tree has a central trunk terminating in a bud, and three branches off each side similarly terminating in buds.The stags occur commonly on Mitanni seals, but while they may well be symbolic, it is not known of what they may be the symbol. The guilloche is a standard decorative filler of the period. Faience is a manufactured substance, comparable to the modern porcelain. In the ground it often deteriorates over the centuries and has a powdery surface. This one, however, is in exceptionally fine condition, the only mark of its age being that the glaze has lost something of its original colour. In this excellent condition, such seals are rare.'; supplied with a museum-quality impression. 6.51 grams, 30 mm
From the private collection of a North American lady, formed 1970s-early 1990s, with collection reference no.P30. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert dated September 1990. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Qajar Textile with Pearls
19th century A.D.Sold for (Inc. bp): £65
Formed of nine rectangular pieces sown together with suspension loops above, embroidered floral motifs to the centre and a decorative embroidered border above; mounted in a display frame. 1.21 kg, 32.8 x 34 cm
Private collection, London. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
Old Babylonian Administrative Terracotta Tablet Noting a Fall from the City Wall of Isin
19th-16th century B.C.Sold for (Inc. bp): £1,170
Pillow-shaped with band of impressed cuneiform text to upper edge and partial band to the middle. 124 grams, 72 mm
Specialised collection of cuneiform texts, the property of a London gentleman and housed in London before 1988. Thence by descent to family members. Examined by Professor Wilfrid George Lambert FBA (1926-2011), historian, archaeologist, and specialist in Assyriology and Near Eastern archaeology, in the late 1980s and early 1990s. The collection is exceptional for the variety of types, including some very rare and well preserved examples. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.