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LOT 0244
Western Asiatic Glass Bottle
10TH-11TH CENTURY A.D.
3 1/4 in. (36 grams, 83 mm).
In iridescent glass with squat body and hexagonal-section mouth; dragged trail detailing.
ProvenanceEx collection M.W.A., Germany.
Acquired in 1996.
Private collection, Switzerland, by descent.
See Whitehouse, D., Sassanian and Post-Sassanian Glass in The Corning Museum of Glass, New York, 2005, for discussion.
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AUCTIONS:
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LOT 0244
Western Asiatic Glass Bottle
Estimate £400 - 600€460 - 700 (for guidance only)$540 - 810 (for guidance only)
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Western Asiatic Painted Terracotta Vessel
8th-9th century A.D.Estimate: £200 - 300 (+bp*)
Opening Bid: £100
Squat in profile and of tiered construction with strap handle and broad pouring lip, bands of polychrome painted foliage decoration. 407 grams, 12.7 cm
UK collection, 1990s. Acquired on the UK art market, before 2000. Private collection, Mr M.V., a London-based businessman. -
Western Asiatic Bronze Dish
Mid 1st millennium B.C.Estimate: £100 - 140 (+bp*)
Opening Bid: £50
Broad and shallow with lip to the inner face of the rim. 86 grams, 11.4 cm
Ex 1990s collection and with a central London gallery. -
Achaemenid Gold Appliques Depicting Winged Lions
5th-4th century B.C.Sold for (Inc. bp): £1,300
Comprising seven circular mounts, each with a repoussé winged lion, depicted in a seated pose with its head turned, pierced thrice through the outer rim. 1.92 grams total, 15 mm each
Private English collection, formed between the late 1970s and early 1990s. Private collection, UK.
Gold held immense significance in the Achaemenid Empire, not only as a symbol of wealth and divine favour but also as a practical medium for art, currency, and royal regalia. It was used in architectural decoration, lavish court objects, jewellery, and ceremonial ware, often reflecting the empire’s vast wealth and cosmopolitan reach. Among the prominent motifs in Achaemenid art is the lion-griffin—a mythical creature combining the body of a lion with the wings of an eagle. This powerful image, frequently seen in gold appliqués, seals, and metalwork, conveyed themes of imperial power, protection, and control over both terrestrial and celestial realms. The lion-griffin stood as an emblem of dominance and guardianship, befitting the grandeur of Persia’s imperial ideology.