Western Asiatic Cuneiform Tablet Fragment

Comprising seven circular mounts, each with a repoussé winged lion, depicted in a seated pose with its head turned, pierced thrice through the outer rim. 1.92 grams total, 15 mm each



Private English collection, formed between the late 1970s and early 1990s. Private collection, UK.

Gold held immense significance in the Achaemenid Empire, not only as a symbol of wealth and divine favour but also as a practical medium for art, currency, and royal regalia. It was used in architectural decoration, lavish court objects, jewellery, and ceremonial ware, often reflecting the empire’s vast wealth and cosmopolitan reach. Among the prominent motifs in Achaemenid art is the lion-griffin—a mythical creature combining the body of a lion with the wings of an eagle. This powerful image, frequently seen in gold appliqués, seals, and metalwork, conveyed themes of imperial power, protection, and control over both terrestrial and celestial realms. The lion-griffin stood as an emblem of dominance and guardianship, befitting the grandeur of Persia’s imperial ideology.

Drum-shaped vessel with reserved frieze to the outer face: pairs of opposed snakes with bodies entwined; shallow socket to each of the eyes to accept an inlay panel. 2 kg, 18 cm wide



with Gallery Rosen Ancient Art, Tel Aviv, 1960s. Ex London, UK, gallery, 1971-early 2000s. London, UK, collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate no.12772-237880.

The chlorite stone vessels of early Bactria were kidney-shaped vessels with simple geometric decoration or cylindrical like our specimen. Small cylindrical vases were used as cosmetic containers, together with chlorite cosmetic flasks.

Broad and squat with lip to the inner edge of the rim. 150 grams, 14.2 cm wide



Ex 1990s collection and with a central London gallery.