Western Asiatic Copper Flat Axehead

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand. 72 grams, 10.8 cm wide (277 grams total, 11 cm high including stand)



Ex S. Moussieff collection, London, UK. Acquired from C.J. Martin (Coins) Ltd. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.203209.

Battle-scenes - and especially images where the Assyrians overrun their enemies and achieve outright victory - appear to make up a large part of 'official' art of the period. Subjecting a defeated foe to torture and death is the theme of much of the wall-decoration of the palace of Nineveh. A battle-scene depicting the siege of a walled city shows similarly equipped infantrymen; it is in the Metropolitan Museum of Art, New York, under accession no.55.121.4a, b.

Composed of a leaf-shaped blade, central slightly raised midrib, separately casted hilt with crescentic guard, rivet hole and lozenge-shaped grip. 147 grams, 26.5 cm



Ex German collection, Cologne, 1980-1990s.

Early bronze daggers from Luristan and Elam had separate casted hilt. Some scholars suggest that arsenic bronze was used in their production, and the handle was separately cast and rivetted to the hilt. Most scholars (Moorey, Mahboubian, Slotta, Vatandust, Khorasani) agree on a 3rd millennium B.C. dating based on the decoration of the hilt.

Featuring a wedge-shaped blade and a lobed handle; the hilt fitted with an iron plate bending down to form points on each side of the blade, pommel with a discoid brass plate decorated with an incised flower motif. 307 grams, 46 cm



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

The term 'ballock dagger' was used in medieval times to describe a dagger with a grip bearing a considerable resemblance to a phallic symbol. It was also called 'kidney dagger' during the Victorian times. The constant characteristic is the presence of two roundish and symmetrical bulbs at the guard, with the grip itself emerging upward between them and flaring slightly towards the top, sometimes being surmounted by a cap.