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LOT 1134
Western Asiatic Calcite Fertility Type Figure
1ST MILLENNIUM B.C.
9 in. (808 grams, 23 cm).
Rectangular in section with scooped flanges to the lower body, polyhedral head with low-relief facial detailing.
ProvenanceEx collection of the late S.M., London, UK, 1970-1990s.
This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
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AUCTIONS:
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Western Asiatic Bronze Arrowhead Collection
19th century B.C.-6th century A.D.Sold for (Inc. bp): £130
Including triangular, leaf-shaped, barbed, paddle-shaped arrowheads with a flat, comparatively wide mid-rib, and others. 176 grams total, 3.4-10.2 cm
Ex London art market, 1980-1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Some of the represented arrowheads (paddle-shaped) were typical of the Old Babylonian Empire. The shoulders were pronounced and the arrowhead had a rectangular-section tapering tang. This simple form was popular throughout and are comparatively common finds in the Holy Land. The collection includes a rare Eastern Roman iron type with triangular blade having rhomboid section and short tang. -
Mitanni Brown Hematite Cylinder Seal with Winged Birds
Circa 1500-1250 B.C.Sold for (Inc. bp): £390
Cylinder with cord and bead handles; accompanied by a copy of an old scholarly note, typed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Description of Cylinder Seal of brown Hematitite (sic), 29 x 15.5 mm. Standing composite figure with human legs and body, but a bird's wings and head, is placed between a large recumbent horned quadruped with long neck and a smaller horned quadruped with short neck; other items; scorpion, hand, fish, star. The whole of the design in enclosed within upper and lower rules. This is a good example of the Mitanni "Elaborate Style", from anywhere between north-western Iran and the eastern Mediterranean. As is normal for such Mitanni seals, the cutting was done entirely with three semi-mechanical tools: the drill, the tubular drill and the cutting wheel. The date will be c. 1500-1250 B.C. The ancient name of the composite figure is not so far known. Save for a gash on the standing figure, the condition is fine.'; supplied with a museum-quality impression. 14.4 grams, 23 mm
UK private collection, acquired 1980-1983. Accompanied by a copy of a scholarly note typed by Professor Wilfrid George Lambert in October 1987. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato. -
West Central Asian Bronze Stamp Seal Matrix with Greek Cross
Circa 2300-2000 B.C.Sold for (Inc. bp): £117
Circular openwork seal with cross motif; accompanied by typed and signed note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993, which states: 'Stamp Seal of Bronze, 44 x 45 x 15 mm. This is round, with flat compartmented and open-work face, and flat back on which a handle of inverted U-shape is mounted. The design consists of a central Greek cross joined to a segmented outer band by a single strut from the middle of the outer arms, and three pairs of struts, two from each arm of the cross, one from the single strut. This comes from west central Asia and dates to c. 2300-2000 B.C. The outer rim is a little dented, but otherwise it is in very good condition and a fine example of its kind.' 22 grams, 45 mm
Ex collection of a late London gentleman, 1990s. Accompanied by an original typed and signed scholarly note by the late W.G. Lambert, Professor of Assyriology at the University of Birmingham, 1970-1993. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.