Western Asiatic Bronze Stylus

Formed as a Master of Animals atop a collared tubular stem with flared foot; the finial composed of two goats with heads returned and a looped band at the rump, above these two birds standing looking up towards two quadrupeds each with a bird's head on the rump; each in the grip of the Master standing crowned between them; the Master with tubular body, animal-like ears, prominent nose above a small mouth and wearing collars, neck rings and tiered headdress with addorsed bovine heads; waisted socket below and flared dentilled rim; mounted on a display stand. 916 grams total, 43 cm including stand



Acquired in Iran, 1967. Private collection, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12824-241323.

The “Master of Animals” is a long-lived Near Eastern motif showing a central figure—human, heroic or divine—grasping two confronting beasts, usually by their necks or forelegs. First seen in late 4th–3rd millennium BC Mesopotamian seals, it spread across Iran, Anatolia and the Levant and remained current into the 1st millennium BC. Its meaning is straightforward and powerful: control over the wild, the protection of order, and the sanction of royal or divine authority. The image appears on seals, plaques and weapons, and in the round on bronze fittings and finials (notably in Luristan), where it likely marked status and carried an apotropaic force. For collectors, the type is prized for its clear silhouette and economy of form, the instant legibility of a hero mastering chaos, a theme as old as the first cities and as compelling today.

Penannular type with polyhedral terminals, blocks of pointillé detailing and hatching. 141 grams, 10.3 cm



Ex property of a Dutch gentleman; formerly in an old collection formed in the 1970s.

Drum-shaped vessel with reserved frieze to the outer face: pairs of opposed snakes with bodies entwined; shallow socket to each of the eyes to accept an inlay panel. 2 kg, 18 cm wide



with Gallery Rosen Ancient Art, Tel Aviv, 1960s. Ex London, UK, gallery, 1971-early 2000s. London, UK, collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate no.12772-237880.

The chlorite stone vessels of early Bactria were kidney-shaped vessels with simple geometric decoration or cylindrical like our specimen. Small cylindrical vases were used as cosmetic containers, together with chlorite cosmetic flasks.