Western Asiatic Bronze Socketted Axehead

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand. 72 grams, 10.8 cm wide (277 grams total, 11 cm high including stand)



Ex S. Moussieff collection, London, UK. Acquired from C.J. Martin (Coins) Ltd. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.203209.

Battle-scenes - and especially images where the Assyrians overrun their enemies and achieve outright victory - appear to make up a large part of 'official' art of the period. Subjecting a defeated foe to torture and death is the theme of much of the wall-decoration of the palace of Nineveh. A battle-scene depicting the siege of a walled city shows similarly equipped infantrymen; it is in the Metropolitan Museum of Art, New York, under accession no.55.121.4a, b.

Steel gunsight with three rings and cross-wires and pillar mount to fit the MG34 general purpose machine gun. 80 grams, 14 cm



Acquired from RJ Militaria, UK. The Kusmirek Collection, UK. Accompanied by a copy of the listing and an image.

Each comprising a touch hole to base. 5.6 kg total. 9.5-12 cm



Acquired 1990s-early 2000s. East Anglian private collection.

At the beginning of the 14th century, among the infantry troops of the Western Middle Ages, developed the use of manual cannons (such as the Italian schioppetti, spingarde, and the German Fusstbusse). The new weapon had, compared to the bow and the crossbow, the advantage of not needing any particular care, of being manufactured more quickly and of being cheaper.