Western Asiatic Bronze Long Sword

Composed of arched openwork shanks with looped terminals; one end fitted with large hoops and bar between; one end with a tripartite mouthpiece comprising two collared bars connected by a central hoop; Byzantine or early Ottoman. 340 grams, 19.5 cm

Fine condition.

Collection of Dr. Hanns-Ulrich Haedeke (1928-2017), author of ‘Schmuck Aus Drei Jahrtausenden’ and who became the director of the Museum of Klingenmuseum in Solingen, Germany, in 1968; the collection was formed in the early 1960s. From an important private Dutch collection.

This type of horse bit is visible on one of the most important equestrian artworks of the 15th century - the Cappella dei Magi by Benozzo Gozzoli, a painting representing the Three Kings visiting Christ, depicted in costumes belonging to the early quarter of 15th century. All the cavalrymen in the artwork had heavy curb-bits (with short and curved shanks, as in our specimen) and heavy, single reins.

Comprising: one heater-shaped with openwork raven motif to each face; one similar with openwork raven enmeshed in tendrils; one with fleur-de-lys to the centre of each upper edge and a lobed spur to each side; one with openwork quatrefoil to each face and knop finial to the apex. 145 grams total, 55-85 mm



From the collection of a North American gentleman, formed in the 1990s.

Comprising a broad, double-edged blade with rounded tip, shallow central fuller to the upper third of both sides; flat guard with stepped central panel, D-section arms formed in a horizontal S-curve, 'cat's head' truncated type pommel with an integral central boss to both faces; the tang with a sword-shaped stamp, the blade with an inlaid three-armed workshop mark and another stamp, including a V surmounted by a cross. 1.37 kg, 1.18 m

Restored and protected with a possible vertical suspension in acid solution, on the blade traces of delamination and flaking along the pattern-welds, some corrosion damages but in general very good condition.

From an English collection, acquired 1990s. The Kusmirek Collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11771-203963.

The Schiavonesca sword was used by Dalmatian mercenaries serving in the Venetian state armies, and were produced by the workshops of the Serenissima to which the marks probably belong. Many of these swords were produced in Dubrovnik, a Croatian city under the Venetian rule. Dr Aleksić mentions the swordsmith Radonja Vukotić, who made an agreement with blacksmith Andrija Miletin at the beginning of September 1436, to produce swords together in the following year.