Western Asiatic Bronze Dagger

Comprising a straight, flat triple fuller, double edged and tapering blade engraved with imperial orb sign, Passau wolf mark dated 15th century and 'DIGN LAGDIGNLA', with steel hilt comprising of down-turned quillons with ball finials and single ring outer defence, the bars of round section; matching inner defence bar with matching decoration to the quillons, spherical pommel rebound leather grip with original 'Turk's heads' to top and bottom but worn. 1.46 kg, 1.05 m



Acquired from Military Swords Ltd, UK, 2017. The Kusmirek Collection, UK. Accompanied by a copy of an invoice. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.203964.

An armet with rounded one-piece skull raising to a roped medial comb, visor, prow shaped upper bevor and bevor attached by common pivots, each secured at the right side by a spring-catch, the visor with stepped centrally divided visor-slit and two gorget-plates. 2 kg, 31 cm high



Acquired on the European art market. The Kusmirek Collection, UK. Accompanied by a copy of an invoice. Accompanied by an academic report by Dr Raffaele D'Amato This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11767-203981.

The term armet is generally used to denote a visored helmet of particular construction, one in which large cheekpieces are hinged to the base of the bowl just above the ears and close in front of the chin. From about 1515 A.D., the Germans produced a variant armet where the downward extension of the skull was made much wider, reaching as far forward as the ears. The cheekpieces on this type of helmet opened sideways, on vertical hinges on the edges of this wider neck element.

From the right side of the face mask, the upper edge with a band of embossed diagonal lines, probably intending to represent stylised hair, embossed spiral to the centre, a symbol clearly connected with the worship of the sun; a hole for the fastening thongs at ear-level which originally linked the face-guard to the bowl. 75 grams, 13 cm high



Acquired 1960s-1990s. Late Alison Barker collection, a retired London barrister.

The spiral decoration of the face-guard is connected with the solar cult. The spiral represents the rotary movement of the sun, and the spiral is probably the oldest known spiritual symbol connected with the sun, together with the swastika or tetragammadion. The connection can also be seen in Celtic art, where the representation of the spiral also follows the path of the sun, describing the movements of the heavenly body over the course of a solar year. The third century was characterised by diffusion of the solar cult, the Sol Invictus, among the Roman soldiers, with its symbols often represented on arms and weapons as an apotropaic element of protection.