Western Asiatic Bronze Bowl

With running foliage border enclosing a scene with a bearded Shāh sitting on a four-legged throne with lion-head finials and flanked by two attendants; flowers and other details in the field. 1.24 kg, 34.1 cm wide



Ex private collection, Belgium. with d'Arts d'Orient et Orientalisme, Paris, France, 1 June 2015, no.73. Ex Weber Kunsthandel, Cologne, Germany, 2015. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12131-218137.

Group of three spool-shaped elements, each pierced longitudinally and forming a spacer bead for a multi-strand necklace. 1.91 grams, 19 mm



From the collection of a late Japanese gentleman, 1970s onwards.

Comprising seven circular mounts, each with a repoussé winged lion, depicted in a seated pose with its head turned, pierced thrice through the outer rim. 1.92 grams total, 15 mm each



Private English collection, formed between the late 1970s and early 1990s. Private collection, UK.

Gold held immense significance in the Achaemenid Empire, not only as a symbol of wealth and divine favour but also as a practical medium for art, currency, and royal regalia. It was used in architectural decoration, lavish court objects, jewellery, and ceremonial ware, often reflecting the empire’s vast wealth and cosmopolitan reach. Among the prominent motifs in Achaemenid art is the lion-griffin—a mythical creature combining the body of a lion with the wings of an eagle. This powerful image, frequently seen in gold appliqués, seals, and metalwork, conveyed themes of imperial power, protection, and control over both terrestrial and celestial realms. The lion-griffin stood as an emblem of dominance and guardianship, befitting the grandeur of Persia’s imperial ideology.