Western Asiatic Black Stone Cylinder Seal

Cylinder with cord and bead handles; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Description of Cylinder Seal of soft, black stone, 29 x 18 mm. A scene is contained within upper and lower rules and a ladder pattern repeated at left and right. The main figure is a standing deity holding up items in each raised hand. he wears a pointed cap and might be meant as Hadad/Teshub/Baal, the storm god, but the symbols held are not sufficiently clear to be certain. In front of him is a small figure of human form, and three horned quadrupeds; behind him is a bird, a fish(?) and a scorpion. Vacant spaces are filled with dots, and linear devices. The seal is a typical "Levantine" cylinder c. 1200-1000 B.C. from Syria or Anatolia. it is cut with a hand-held pointed graving tool and the drill. Though worn, the design is completely clear.'; supplied with a museum-quality impression. 9.72 grams, 28 mm



UK private collection, acquired 1980-1983. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in October 1987. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Square in plan with tiered profile, central rosette in a wreath with radiating leaves; two loops to reverse. 4.27 grams, 23 mm



Acquired before 1983. Ex London gallery, 1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Cylinder with cord and bead handles; accompanied by a copy of an old scholarly note, typed and signed by W.G. Lambert, late Professor of Assyriology, University of Birmingham, 1970-1993, which states: 'Cylinder Seal in Fawn Stone, Concave, 25 x 12.5 mm. The main figures are three; a nude female frontally shown save for her head, which is sideways; facing her a standing figure in a long fringed robe, with one arm awkwardly placed behind him; on the other side of the nude female a kneeling figure holding up a bull by the hind leg. Above the main scene are two browsing quadrupeds, one clearly a stag. Between the nude female and the figure on the left is a head of a horned animal. A second such animal's head above a sideways browsing stag forms a terminal. The whole design is placed between two lines. The seal is Mitanni, c 1400-1200 B.C., from anywhere between the eastern Mediterranean and Kurdistan. It has a very full design and looks like a "common style", but it is cut on stone, not made of frit, and the design is very deeply cut so that a fine, well-rounded impression is given. Also, being of stone, it is more durable than those of frit. Though there is some wear, the deep outlining means that nothing has been lost as a result.'; supplied with a museum-quality impression. 6.34 grams, 25 mm



UK private collection, acquired 1980-1983. Accompanied by a copy of a scholarly note, typed and signed by Professor Wilfrid George Lambert in July 1991. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.