Villanovan Bronze Lunate Razor

The ovoid body decorated with a combat scene, band of tendrils and leaves to the shoulder and vertical bands to the slender neck, trumpet-shaped mouth, strap handle and discoid foot; the scene comprising three Hoplites, the first in tall-crested Corinthian helmet, cuirass and greaves, xiphos hanging on his right side, thrusting with his long spear over his ellipsoid shield towards the middle figure, running forwards but with his helmetted head turned towards his attacker, using his Boeotian shield to ward off the blow while manoeuvring his own spear which is blocked by the third figure advancing against him, with spear held underarm, with birds in flight above. 481 grams, 26.5 cm



Private collection, Southern Germany, acquired in 1960s. with Paul-Francis Jacquier, Numismatique Antique, Münzen und Kunst der Antique, 13 September 2013. Acquired by the present owner at the above sale. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12189-222313.

The clothing and weapons of the hoplites are detailed copies of hoplites of late decades of 6th century B.C. The left warrior wears a Corinthian helmet with a high crest, a richly decorated robe and greaves. His round Attic shield, from which a richly pleated chlamys hangs down, is decorated with large circles. The middle and the right hoplite wear Corinthian helmets with a lower crest, and also beautifully decorated robes and greaves. They hold very large, Boeotian-shaped shields with striking bundles of lightning and 'flames'. As a beautiful counterpart to the left fighter, the right warrior carries a chlamys with long folds over his shoulder.

A stylised horse in profile with ring to the voided eye, exaggerated musculature and hatched detailing; mounted in a custom-made frame. 254 grams total, 18 cm including frame



with Claude Boisgirard Archaelogie, Paris, 9 November 1999, no.56. Property of a London, UK, gentleman.

This applique was probably part of a horse harness and corresponds to various similar plaques produced by the Saka (Scythian) culture of the Pamir. Steppe art favoured animalistic representations, with a predilection for deer, horses, birds of prey and felines. The animals could be represented in series, or alone, or in combat with each other.

With bulbous body, broad mouth, three radiating legs, small loop handle to the rim and larger opposite. 191 grams, 12.5 cm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.