Viking Period Silver Trade Ingot

Composed of an openwork discoid body with integral T-shaped tubular loop; raised gusseted rim enclosing a pair of S-shaped beasts with billetted bodies and comma-shaped tails, enmeshed gripping paws clutching the rim and their own bodies. 12.4 grams, 43 mm



Acquired on the European art market in the 1990s. Ex property of a German gentleman.

Despite the long period of overlap of Borre and Jellinge art styles, there are only a few examples of their fusion. The principal and most popular motif of the Borre style displays an animal with gripping paws, usually enmeshed in a circular frame, while a typical Jellinge style beast is more slender with a long, S-shaped body and ribbon decoration. The most famous example of a pendant featuring a fusion of these styles was found in a hoard from Vårby (Sweden), formed as a circle with a pair of Jellinge-style beasts with ribbon-shaped bodies in profile and heads with open jaws and extended tongues; however, each is provided with gripping paws and an enmeshed body, which are typical features of the Borre style. A few examples of these pendants were also found near the important trading settlement of Gnezdovo, near Smolensk, Russia.

Formed as an openwork outer shell, inner container and bottom plate; the upper face with central conical boss and four small satellite bosses each with a silver surface disc; to the outer face four pierced tongue-shaped panels with D-shaped finials proud of the upper face, each with a silvered element to the upper end; the bottom plate with integral catchplate and central void, four attachment pins to the underside; the upper face and sidewall executed in Urnes style zoomorphic openwork; the inner element a plain sheet-bronze container. 95 grams, 55 mm



Acquired in the 1950s. Ex private collection, South West England.

On the Baltic island of Gotland, high-ranking females wore 'box' (or 'drum') brooches to secure their outer garments at the shoulders. The inner container may have been used to hold small valuables.

Executed using the repoussé technique, depicting interlaced snakes or possibly Jörmungandr, the world serpent; applied suspension loop with repoussé chevrons and pellets, faux ropework border around the whole. 13.04 grams, 61 mm



From the collection of a North American gentleman, formed in the 1990s. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11729-200423.

The bracteate belongs to the main type D, showing an image of tetramorphic monsters. Probably here the representation refers to Jörmungandr, the serpent of Midgard, son of Loki and killer of Thor, protagonist of Ragnarok - the downfall of the gods. The art of the bracteate medallions is one of the few contemporary sources for the pre-Christian religion of the Nordic countries. It demonstrates that ancient Germanic mythology, although known from later texts, was built on a tradition dating back to at least the 5th-6th centuries A.D. The function of these medallions was linked to the social position of the wearer in Germanic society.