Viking Age Twisted Bronze Bracelet

Openwork disc pendant with Oseberg Style disjointed body, facing mask, pierced suspension lug above. 6.29 grams, 39.51 mm



Acquired on the German art market before 2000. From a London W1, UK, collection.

There is a class of discoid pendants with banded borders and contorted figures found in the hinterland of the Baltic region, associated with the influence of Scandinavian settlers. The design of these items recalls specific elements of Scandinavian art - for example, the 'gripping hands' motif is a feature of the Oseberg Style named after the famous Norwegian ship-burial. Oseberg Style is associated with the beginnings of the Viking age, and was current in the 9th century when Scandinavian settlers began to establish centres of trade and political control in the area of the rivers Dnieper and Volga. The motif has been interpreted as a horse and linked with various legends and mythic figures.

Formed as an openwork outer shell, inner container and bottom plate; the upper face with central conical boss and four small satellite bosses each with a silver surface disc; to the outer face four pierced tongue-shaped panels with D-shaped finials proud of the upper face, each with a silvered element to the upper end; the bottom plate with integral catchplate and central void, four attachment pins to the underside; the upper face and sidewall executed in Urnes style zoomorphic openwork; the inner element a plain sheet-bronze container. 95 grams, 55 mm



Acquired in the 1950s. Ex private collection, South West England.

On the Baltic island of Gotland, high-ranking females wore 'box' (or 'drum') brooches to secure their outer garments at the shoulders. The inner container may have been used to hold small valuables.

Flat bronze plaque with openwork detailing of two opposed zoomorphs, their slender bodies enmeshed within a lattice of tails, limbs and lappets; attachment holes at the eyes and rump; the eyes with pointillé surround; supplied with a custom-made stand. 20 grams total, 75 mm including stand



Ex German collection. with Artemis Gallery, Colorado, USA, 8 March 2016, 58A. Private American collection, New York, USA. Accompanied by a copy of a previous typed catalogue page.

The style of the plaque is very heavily influenced by the Irish Book of Kells where confronted, interlaced figures appear as ornament.