Viking Age Silver Axe Pendant

Formed as a crouching beast modelled in the round with hollow slot to the underside; elongated head with raised lentoid eyes and ellipsoid ears, ribbed wings to the shoulders, knop tail and splayed claws to the feet; mouth open with detailed fangs. 84.9 grams, 66 mm



From the collection of a North American gentleman, formed in the 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no. 200289.

The navigation techniques in use in Iron Age Northern Europe were very sophisticated, as would be expected from people bordering the Baltic, North Sea and North Atlantic where boat- and ship-building traditions have been perfected over more than a thousand years. A carved wooden panel from Bergen, Norway, shows a number of Viking longships at sea, some with weathervanes mounted on the stempost. They are mounted vertically with the beast on the outer end. Gilded bronze weathervanes appear on the roofs of medieval churches in Sweden, Norway and Finland where they are often regarded as ornamental: symbols of access to resources and craftsmanship for the important families who endowed such buildings. These weathervanes in many cases originally adorned ships and were used as part of the navigational equipment. They may have inspired the medieval Norman custom of attaching a gilded weathervane or cock to church roofs, which eventually spread to secular buildings such as castles in France and Italy where their use was restricted to certain ranks of nobility (Lindgrén, 1983).

Composed of a dished body and applied suspension loop, repoussé motif. 4.8 grams, 36 mm



From the collection of a North American gentleman, formed in the 1990s.

Formed as a hollow drum-shaped casting with ornament to the obverse and sidewall; the high-relief designs comprising three radiating panels of Oseberg Style 'gripping-beast' motifs with a dome at the centre and three to the beaded border; the slightly sloping sidewall with four panels of S-shaped animals with interlaced tendrils, separated by beaded borders; to the reverse, the perimeter flange supported by two integral blocks supporting the catchplate and pin-hole respectively, the latter damaged and replaced by a second offset hole. 44 grams, 50 mm



European collection, acquired 1980s. Ex property of a UK collector. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no. 200319.

The Oseberg style shows a strong interplay between zoomorphic and geometric patterns that continues artistic traditions predating the Viking Age, but continued in the Viking Age at least until 875 A.D. While 8th century art and ornaments show considerable variation across Scandinavia, the gripping-beast motif was adopted in every region within a few decades after 790 A.D.