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LOT 1568
Viking Age Gold Cloisonné Animal-Shaped Pendant
CIRCA 9TH-11TH CENTURY A.D.
3/4 in. (0.53 grams, 20 mm).
Fragment with central area divided into three rectangular cells, D-shaped cell to the end and lateral triangle, irregular scoped cell above; probably from a larger cloisonné decorative item.
ProvenanceFrom a late Japanese specialist collector, 1970-2000s.
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AUCTIONS:
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Anglo-Scandinavian Viking Bronze Stirrup Apex Mount Group
Circa 11th century A.D.Sold for (Inc. bp): £222
Comprising: one mount of Class A Type 8 with three attachment holes, and one of Class A Type 6 with upper loop broken. 27 grams total, 44-47 mm
Found near Lyndhurst, New Forest, Hampshire, UK. -
Pre-Viking Bronze Proto Boar's Head Brooch
7th-8th century A.D.Sold for (Inc. bp): £78
Formed as a keeled sub-triangular plaque, convex in profile with bulbs on the flanks extending to a short rounded projection; integral catchplate to reverse and remains of ferrous pin. 15.4 grams, 46 mm
Fine condition.
Acquired early 2000s. East Anglia, UK, collection.
This form of brooch developed from Scandinavian Iron Age forms of bow brooch with crossbar, bow and footplate; it later evolved into the standard form of boar-head brooch. -
Viking Age Silver-Gilt Oseberg Contorted Beast Pendant
Circa 10th-11th century A.D.Sold for (Inc. bp): £364
Openwork disc pendant with Oseberg Style disjointed body, facing mask, pierced suspension lug above. 6.29 grams, 39.51 mm
Acquired on the German art market before 2000. From a London W1, UK, collection.
There is a class of discoid pendants with banded borders and contorted figures found in the hinterland of the Baltic region, associated with the influence of Scandinavian settlers. The design of these items recalls specific elements of Scandinavian art - for example, the 'gripping hands' motif is a feature of the Oseberg Style named after the famous Norwegian ship-burial. Oseberg Style is associated with the beginnings of the Viking age, and was current in the 9th century when Scandinavian settlers began to establish centres of trade and political control in the area of the rivers Dnieper and Volga. The motif has been interpreted as a horse and linked with various legends and mythic figures.
