Viking Age Gilt Bronze Openwork Roundel with Interlaced Snakes

Composed of a tapering, round-section body with flat base and inverted triangular mouth holding a moveable bar, suspended on a ring with twisted wire coils and stamped with small circles repeated on the bar below; the fish body decorated with four panels of low-relief Mammen Style interlacing with remains of gilding; two circular piercings to each side of the body. 23.2 grams, 72 mm high

Fine condition.

Private collection formed in Europe in the 1980s. Ex Westminster collection, central London, UK.

Originally produced as a necklace element, refashioned at an unspecified point in antiquity into a pendant, possibly as early as the 9th-10th century A.D. Pendants of this type were worn strung together in groups, the tapering profile allowing them to sit comfortably as a collar below the neck. They were often worn suspended between two zoomorphic brooches. This example has been taken from a necklace and mounted on a suspension ring for use as an amuletic pendant.

In Romanesque style, cruciform with openwork cross at centre, three oval terminals and a fourth modelled as a hound's head, the beast's mouth forming the suspension loop. 5.4 grams, 40 mm



From the family collection of a Hertfordshire, UK, gentleman since the 1970s. with Bonhams, London, Sale 17880, 7 December 2010, lot 6. Accompanied by a copy of the online Bonhams catalogue page, and the original lot ticket.

The original function of this rare and unusual pendant remains elusive. The use of expensive materials and the fine and detailed casting indicate that it would have been a highly prized object. The fusion of Christian and pagan religious motifs is typical of Iceland where the worship of the old gods continued into the 11th century. The Christian cross was used as a symbol of the new faith but the pendant also includes elements of pre-Christian ideas. Comparable objects appeared in an exhibition of English Romanesque Art 1066-1200, held at the Hayward Gallery, London, 5 April - 8 July 1984. The catalogue for this exhibition illustrates numerous small metal and gilded articles with similar grotesque terminals- No. 254 illustrated a late 12th century finial from a shrine, which is in the Victoria and Albert Museum (M.25 1962).

With stamped triangle and pellets to each face, curled suspension loop and silver-wire ring. 2.74 grams, 39 mm



Acquired on the EU art market around 2000. From the collection of a North American gentleman.