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LOT 2016
Vietnamese Hoi An Blue and White Shipwreck Lidded Pot
14TH-15TH CENTURY A.D.
1 3/4 in. (36.9 grams, 43 mm wide).
With 'Hoi An Hoard' numbered sticker to the underside and auction label. [No Reserve]
ProvenanceEx ArtAncient Ltd, London, SW6, in 2012, with stock no.6105.
From the private collection of Mr A Hills, Kent, UK.
Accompanied by a copy of an ArtAncient certificate of authenticity.
In the mid-fifteenth century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vase is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Chinese Song Terracotta Tile
Song Dynasty, circa 960-1279 A.D.Sold for (Inc. bp): £117
Rectangular wall tile with recess, two figures in a domestic setting. 1.49 kg, 24 cm
Ex Cotswold collection, UK, 1990s. -
Vietnamese Hoi An Blue and White Shipwreck Lidded Pot
14th-15th century A.D.Sold for (Inc. bp): £59
With 'Hoi An Hoard' numbered sticker to the underside and auction label. 36.9 grams, 43 mm wide
Ex ArtAncient Ltd, London, SW6, in 2012, with stock no.6105. From the private collection of Mr A Hills, Kent, UK. Accompanied by a copy of an ArtAncient certificate of authenticity.
In the mid-fifteenth century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vase is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau. -
Chinese Gilt Copper Crouching Camel
Song Dynasty, 960-1279 A.D. or earlierEstimate: £2,000 - 3,000 (+bp*)
Opening Bid: £1,000
Modelled in the round with a double hump, neck gracefully resting against the back, and legs folded beneath the body. 164 grams, 56 mm
Acquired in the 1960s. From the collection of Mr Jay Gluck (1927-2000) & Mrs Sumi Hiramoto Gluck. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.12063-214191.
Camel-shaped water droppers would have been perfect not only for dispensing water onto the inkstone, but also because the humps could form as a brush rest too. The form of our artefact showcases the rapid cultural interaction and integration between China and Central Asia during the early dynasties of China. By the Tang Dynasty, China was one of the most cosmopolitan empires on earth with traders and missionaries from across Asia, Europe and Africa in the capital Chang'an. Depictions of two-humped Bactrian camels in pottery symbolised wealth, trade and international networks. The famous calligrapher and painter Qi Gong (1912-2005) owned a similar gilt-bronze camel paperweight, who according to his records purchased it in an antique shop in Japan. Qi Gong even renamed his studio 'The Little Bronze Camel Studio' (xiao tong luo guan’).
