Very Large Sumerian Terracotta Cuneiform Tablet Recording Commodities for Various Named individuals

Modelled in the half-round with hollow reverse; thick band of hair above the brow, small deep-set eyes, broad nose and mouth with three raised bands extending to a short beard; mounted on a custom-made stand. 128 grams total, 11.5 cm including stand



London art market, 1995. Private collection, Switzerland. Private collection, London. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12971-245208.

Humbaba (or Huwawa) was a demon of Mesopotamian legend, most famously described in the Epic of Gilgamesh. He was appointed by the god Enlil as the terrifying guardian of the Cedar Forest, a place of the gods. His grotesque features, with glaring eyes and monstrous expressions, were said to strike fear into anyone who saw him. Babylonian representations of Humbaba often emphasise this fierce appearance, with distorted facial traits designed to ward off evil. Such images could serve an apotropaic purpose, protecting people and places from harm, while also evoking one of the most memorable figures of Babylonian mythology.

Modelled in the round as a zebu standing four-square with head raised; columnar muzzle with shallow slit mouth, discoid eye-sockets to accept and inlay; lateral loops at the shoulder and tubular filler-hole; separate hump forming a lid with corresponding loops for attachment. 870 grams, 16.5 cm wide



Private collection, New York, 1987. with Bonhams, London, 1 May 2013, no.154. Accompanied by a copy of the relevant Bonhams catalogue pages. Accompanied by a copy of French passport no.119527. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12976-245249.

The majestic zebu bull, with its heavy dewlap and wide curving horns, was considered to be a symbol of majesty and power since the first civilizations of the Indus Valley. It was the leader of the herd, the strength and virility (then symbol of fecundity) of which protected the group and ensured the procreation of the species. This is the reason why it was often chosen for sacrificial rites. It probably represented the emblem of the most powerful clans or top classes of Mohenjo-Daro and Harappa and it was the most impressive motif found in these cities, appearing constantly on painted pottery and bronze or clay figurines of the Indus area.

Sculptured female head, angular nose with straight ridge, slightly rounded cheeks and triangular chin, large sockets for inlaid eyes, grooved eyebrows and high ears, long locks of hair visible below the ears; mounted on a custom-made display stand. 1.96 kg total, 18.5 cm including stand



UK collection, 1990s. Acquired on the UK art market, before 2000. Private collection, Mr M.V., a London-based businessman.

In the Arabian funerary sculptures of the period, the tops of the heads are usually cut off flat just above the hair line and left roughly tooled. The cut was due to the necessity of fitting them into niches of 'house shrines'. Large stelae with niches containing such heads were found in the Timna Cemetery.