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LOT 0961
Very Large Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
9TH-11TH CENTURY A.D.
6 3/4 in. (1.42 kg, 17 cm).
Piriform body with impressed roundels to the equator, domed filler-hole, intended to be filled with explosive liquid and wick, used as a hand grenade. [No Reserve]
ProvenanceFrom a specialist collection of militaria, London, UK, collected 1990s onwards.
Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.
Cf. Arendt, W. I., Granaten des 13-14. Jahrhunderts, die an der Wolga gefunden sind, Zeitschrift fur Historische Waffen-und Kostumkunde, 11 (1926-8), p.42; cf. Arendt, W., Die Spharisch-konischen Gefäße aus Gebranntem Ton, ibid; cf. Ayalon, D., Gunpowder and Firearms in the Mamluk Kingdom, London, 1956, p.16.
FootnotesApart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.
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AUCTIONS:
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LOT 0961
Very Large Byzantine 'Greek Fire' Ceramic Fire Bomb or Hand Grenade
Sold for (Inc. bp): £143
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Byzantine Decorated Gold Belt Buckle
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Opening Bid: £2,000
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Acquired from Bernard Hern, 1970s. From an old UK collection, 1970s-1980s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12113-217070. -
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Substantial cross pattée with pierced lobes to the vertical arms, each end provided with a link and hook; lateral arms pieced to accept similar links; intended for the suspension of polycandela multiple-candle chandeliers. 1.12 kg, 55.5 cm including hook
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In 563 A.D., Paul the Silentiary visited Hagia Sophia in Constantinople and described the wondrous lighting effects, ‘Thus is everything clothed in beauty…no words are sufficient to describe the illumination in the evening: you might say that some nocturnal sun filled the majestic church with light.’ The church was lit by polycandela, an early type of candelabra that held glass oil lamps rather than candles. The lamps were either conical or shaped like round bowls with an elongated stem attached beneath. Amidst the burning of incense and the chanting of prayers, the flickering light must have helped to inspire pious devotion. Contemporaries certainly attest to this feeling and among the surviving accounts, that of Arculf, Bishop of Gaul, is particularly affecting. In 670 he went on a pilgrimage to Jerusalem and visited the Church of the Ascension, ‘…to the customary light of the eight lamps…on the night of the feast of the Lord’s Ascension it is usual to add innumerable other lamps; and under the terrible and wondrous gleaming of these, pouring out copiously through the shutters of the windows, all Mount Olivet seems not alone to be illuminated, but even to be on fire, and the whole city, situated on the lower ground nearby, seems to be lit up.’ -
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6th-8th century A.D.Sold for (Inc. bp): £182
Conical in profile with pierced tip, balustered profile with ropework collars, monogram to underside. 18.8 grams, 30 mm
Acquired on the London, UK, art market in the 1990s. From a gentleman's private collection.