Carved in the half-round in three-quarter view, youthful male head with stern features, hair gathered in a browband, horns to the brow; from a frieze or relief; mounted on a custom-made stand.

Carved in the round with thick wreath of laurel leaves to the brow, short tousled hair, stern face with thick jaw; mounted on a custom-made stand.

Standing contrapposto with his weight on his right leg and the left leg brought slightly forward; the musculature of the torso displaying well-defined pectoral muscles, prominent abdominal muscles and wide shoulders, the back with equally toned musculature and well-formed rounded buttocks; the veining of the marble accentuating the idealised anatomy; the now-absent head was most probably turned towards the supporting leg and the left arm would have been raised; mounted on a custom-made display stand.

A high-status green chalcedony seal with frieze depicting a seated figure in horned headdress facing a standing figure with arms outstretched, small monkey to the legs; six columns of Akkadian cuneiform text transliterated as: 1. ki-di-nu UGULA KUŠ-MEŠ 2. GAL šà tan-dru-hu- 3. ra-te-er EŠŠANA šu-ši 4. u an-za-an ARAD 5. šà dha-te-ri-iš 6. šak(?) ì-lí-šu 'Kidinu, chief overseer of the equerries(?) of Tan-Ruhurater, King of Susa and Anzan, servant of Haterishshak, his god'. The seal's owner was an official of King Tan-Ruhurater II (circa 1450 B.C.), king of Susa and Anzan. The title used to describe Kidinu is sometimes translated 'high official', elsewhere 'horse groom' or 'animal trainer'; the Elamite deity Haterish is otherwise unknown.

A substantial torch bearer depicting a male lion or panther standing with legs firmly planted on a rectangular base, tail extending to the ground, with a massive circular shaped armature or candelabra issuing from its back and wearing an elaborate muzzle, the eyes retaining shell inlay with a circular hollow for the pupils; to the right of the beast a kneeling nude male wearing a large belt-armour and a diadem, eyes inlaid, left hand extended to the side and holding the lion's leash.

Squat bowl with returned lip to the rim, incised ring to the centre. 749 grams, 21 cm wide



Acquired from Sir William Matthew Flinders Petrie FRS FBA (1853-1942), who had both found and repaired the piece; a British Egyptologist and a pioneer of systematic methodology in archaeology and the preservation of artefacts. From the private collection of the late Mrs Belinda Ellison, long time member of the Egyptian Exploration Society, c.1940-2020.

Barrel-shaped with broad flat rim; with later hieroglyphic inscription to the lid. 115 grams, 47 mm high with lid



Acquired in the mid 1980s-1990s. From the family collection of Mr S.A., Switzerland, thence by descent. Private collection since the late 1990s.

Group of two bell-shaped cups, the smaller with black hieroglyphic inscription. 37 grams total, 29-48 mm



Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003-present.

Wearing a short wig, the eyes with incised cosmetic lines; mounted on a custom-made display stand. 4.58 kg total, 26.5 cm including stand



with Sotheby's, London, 5 July 1982, no.190. with Sotheby's, London, 13-14 December 1990, no.18. Acquired from the above sale by the late Robert Browne. Property of Ms L.F., London, UK. Accompanied by a copy of an Art Loss Register certificate no.S00243674. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12073-217362.

Squat in profile with wide mouth, tinted cross to the underside; old collector's label '1766' inside. 119 grams, 11.3 cm



Ex Bretagne Encheres, Hotel des Ventes de Rennes, France, 2005-2006. Property of a French collector.

Columnar terracotta cone with flattened base, five horizontal bands of reserved hieroglyphic text giving the dedication: 'Djedher, true of voice, son of Ankhhor who is the son of the hereditary noble, great mayor, great one of the Meshwesh (an ancient Libyan tribe), mayor, overseer of the priests of Banebdju, Djedher, his mother, mistress of the house, Shepensepedet, true of voice.' 895 grams, 16.5 cm



Acquired on the German art market, 1989-1995. with The Museum Gallery, 19 Bury Place, London, WC1, UK, 1998-2003. Property of a London based academic, 2003-present.

Funerary cones were used to decorate the facades of tombs. The 'tail' was pushed into the soft plaster coating so that only the disc was visible. This cone belongs to Djedher, whose tomb is likely to be in the Asasif region of the Theban necropolis, where other examples of his funerary cones have been found.

Rectangular with two sockets to the upper face, low-relief recumbent ibex; incised hieroglyphic text to one short sidewall and remains on both long sidewalls, giving a dedication to 'give life, health, a long [lifetime......]'. 205 grams, 11.7 cm



Galerie Orient-Occident, Paris, 1990. Parisian private collection. with Pierre Berge, 2 February 2017, lot 85.

The bound ibex is a frequent image in ancient Egyptian art and a prized foodstuff. The animal's presence on this base symbolises the finest offerings to the once-attached deity.

D-shaped in plan with carved facial detailing, thick nose and full lips; pierced in four places for attachment. 880 grams, 21.5 cm



Old mounting to the top. From a private estate, Suffolk, UK. Acquired from a UK antiques fair. Property of Mr E.D., a UK professional.

Carved in the round, depicting a male carrying a rectangular shrine intended to hold a figure of a goddess; arms and upper chest bare, strap to the chest to support an apron, dorsal pillar to the reverse; accompanied by a custom-made stand. 4.6 kg, 19.3 cm (5.18 kg total, 25 cm including stand)



From the collection of Danish furniture designer Ole Wanscher (1903-1985). Accompanied by an academic report by Egyptologist Paul Whelan. Accompanied by a copy of a photo of Wanscher in his office, circa 1960. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11843-207728.

Ole Wanscher was a leading figure of the Scandinavian Design movement. Wanscher was inspired by ancient designs, and one of his most famous creations, the 'Egyptian Stool', was based on folding chairs from Egypt's New Kingdom. This piece is visible in the background of a photo of Wanscher in his office, circa 1960.

D-shaped in plan with finely carved facial detailing, slender nose and full lips, sockets to the eyes; eyebrows recessed to accept inserts still partly in situ; pierced to reverse for attachment. 972 grams, 20 cm



Old mounting to the reverse. From a private estate, Suffolk, UK. Acquired from a UK antiques fair. Property of Mr E.D., a UK professional. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12076-217420.

Carved in the round as an advancing bull with its tail placed between the hindlegs, thick fur to the throat; the fill between the legs with traces of cross-hatching in red pigment; old collector's label '477' to flange base; mounted on an old wooden collector's stand with painted numeral '193' to one face. 1.29 kg total, 24 cm including stand



Base and collection numbers suggesting it may have been deaccessioned from The Metropolitan Museum of Art. Joseph Klein collection, formed in New York between 1941-1980, thence by descent. with Bonhams, London, 24 October 2012, no.3. From an important Cambridgeshire estate; thence by descent.

This possibly represents a bull or bull calf associated with the Apis cult.

Foot panel from a cedarwood sarcophagus with carved socket to the inner face to accept the feet and mortices for attaching to sides; the outer face in low relief, a figural scene depicting the sisters of Osiris (Nephthys to the left and Isis to the right) with their arms extended; text translatable as 'Words spoken for Neftis, which surrounds ...Words spoken for Osiris, Padi-Wsir. I have come into existence as [...] Osiris, Padi-Wsir, the righteous [...]'. 652 grams total, 31 cm wide including stand



From a Dutch private collection, acquired in the 1970s. Acquired from J. Bagot Ancient Art, Barcelona, Spain, in 2016. From the Keane private collection, Kent, UK. Accompanied by a copy of the J. Bagot certificate of authenticity and invoice (2,800 euros). This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12078-216769.

'Padi Wsir' is probably the name of the owner of the sarcophagus; the same name was elsewhere transliterated as 'Padiusir' and Hellenised as 'Petosiris'', a familiar name in the Late Period.