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LOT 1780
Two Rembrandt van Rijn Etchings
17TH-18TH CENTURY A.D.
5 3/4 x 5 1/4 - 6 x 3 3/4 in. (11 grams total, 14.5 x 13.5 - 15.2 x 9.5 cm).
Comprising: landscape with farm buildings, cows and horses; accompanied by a portrait, an impression of Rembrandt by Thomas Worlidge, printed 1757, torn. [2, No Reserve]
ProvenancePrivate collection, Suffolk, UK.
FootnotesThe 'portrait of a man' shows clearly the influence of Rembrandt's self-portrait studies, e.g. 'Self Portrait with Saskia' of 1636. The landscape scene resembles 'Landscape with Cottage' drawn in the 1650s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Chinese Tang Style Straw-Glazed Jug
20th century A.D. or earlierSold for (Inc. bp): £13
Of conical profile with broad rounded shoulder, trumpet-shaped neck with carinated sidewall; two square pierced lugs to the shoulder, zoomorphic spout and handle; band of interlocking 'wine-glass' motifs to the equator. 2.2 kg, 34 cm
Ex West Country, UK, collection, 1980-1990s. -
Iron Door Knocker with Cat Head
Spain, 16th-17th century A.D.Sold for (Inc. bp): £72
Hinged with mounting spike, balustered shank with gusseted collar and zoomorphic finial. 588 grams, 31 cm
Probably acquired Mallams, Abingdon, UK. Property of a Kent collector. -
Russian Wooden Icon with St John the Baptist
19th century A.D.Estimate: £3,000 - 4,000 (+bp*)
Opening Bid: £1,500
Comprising a painted board with mounting panel and slots to the reverse, gessoed surface with painting of St John the Baptist standing nimbate with wings spread behind him, left hand supporting a bowl containing his severed head and holding an unfurled scroll with Cyrillic text 'Repent ye, for the Kingdom of Heaven is at hand,' (Matthew 3:2); right hand raised in blessing; landscape with sand-dunes and trees; gilded title above; the upper border with gilt Slavonic inscription reading 'Holy John the Forerunner'; from the Palekh Icon School, probably made in Mstera circa 1890. 1.02 kg, 31 cm high
Fine condition.
Ex property of a London lady, part of her family's collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate no.11546-196366.
The Palekh icon school emerged in the 17th century, inspired by the Moscow and Suzdal traditions of icon painting. Although preserving many features of traditional Russian iconography, the school created its own style that remained active into the 18th century. The hallmarks of the school include the frequent use of gold on the clothes of the saints and a rich palette. Bodies are shown as tall and slender and abrupt transitions between light and shadow are distinctive features of Palekh icons. The wings of Saint John derive from the double meaning of the Greek word used to describe him in Mark 1:2 - Angelos, meaning both messenger and angel. John is often called a 'Heavenly Man' and 'Earthly Angel' in Orthodoxy. At his feet is shown a small tree with an axe cutting into it, illustrating Luke 3:9, 'And now also the axe is laid unto the root of the tree...'
