Turco-Mongol 'Greek Fire' Ceramic Fire Bomb or Hand Grenade

Openwork belt fastening-plate comprising: square frame with parallel bands of ropework, a tall conical boss with basal flange at each corner; central figure of an advancing horse with head bowed, hollow to the reverse, with braided halter to the neck and bridle to the muzzle; incised ring-and-dot motif to shoulder and hip; above the horse's back a small quadruped with head turned to face the viewer, triangular muzzle and two curved horns (perhaps an ibex); openwork vegetation around the beasts and between the horse's legs, long-tailed animal gripping the halter (perhaps a squirrel); fixing loop and triangular catch to the reverse; mounted on a custom-made stand. 752 grams total, 24.5 cm high including stand



German art market. European private collection, 1970s-early 2000s. Acquired from the above; thence by descent. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12284-221444.

Many bronze belt fittings of this type are in the collection of the Metropolitan Museum of Art, New York, (Muscarella, 1988, items 581-4). Muscarella (p.440) notes that a total of 181 were known at the time of his publication (1988).

Each with a sturdy square-section tang, narrow barbed head with midrib. 98 grams total, 15.5-16 cm



Ex London, UK, collection, 1990s.

These arrowheads seem to belong to the type V, subcategory types A and C according to the classification of Khorasani and Negahban. In the four categories of triangular bronze arrowheads from Luristan, Marlik and Northern Iran individuated by Negahban, subtypes A and C of type V are larger arrow heads with barbed shoulders and triangular heads. These types of arrowheads were commonly used in Anatolia and Mesopotamia from the 2nd millennium B.C., but apparently their employment began earlier in this area, where types like these occur alongside the non-barbed, predominantly ribbed and tanged types.

Comprising: a snaffle bit with single bar and an iron stirrup in a form of elongated D, with an oval-shaped loop at the top, wide openwork footrest slightly curved forward, with decoration at the sides. 467 grams total, 18.5-26 cm



From the collection of the famous author, writer and speaker, Gordon Bailey, Essex, UK; formed since 1968.

Snaffle bits have not altered very much in their design over the centuries. Medieval snaffle bits have survived in reasonable numbers, although they are still rare. A number of different designs are known for them. Some had a plain straight bar serving as the mouth piece, like our example. The 15th-16th century stirrup shows an interesting decoration at the sides of the footrest.