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LOT 1911
Tudor 'Thames' Pewter Acorn-Topped Spoon with Maker's Mark
CIRCA 16TH CENTURY A.D.
6 3/8 in. (34.8 grams, 16.3 cm).
Featuring a shallow ovoid bowl, round-section stem and acorn finial; bowl stamped with rosette makers mark. [No Reserve]
ProvenanceFound Billingsgate spoil from the Thames foreshore, London, UK, circa 1984.
Property of an Essex collector.
Cf. Homer, R.F., Five Centuries of Base Metal Spoons, UK, 1975, p.38.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 1911
Tudor 'Thames' Pewter Acorn-Topped Spoon with Maker's Mark
Sold for (Inc. bp): £364
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Post Medieval Bronze Cross Pendant Group
17th-18th century A.D.Sold for (Inc. bp): £156
Including figural and other types. 17.1 grams total, 34-42 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. -
Tudor Period Iron Fire-Striker with Bronze Handle with Cherubs
16th-17th century A.D.Sold for (Inc. bp): £195
Firesteel with iron striking face, bronze handle formed as an annular wreath supported by putti seated on the backs of two addored dogs; the putti facing in opposite lateral directions, wreath with floral detailing and heart below. 48.6 grams, 63 mm
From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. -
Two Rembrandt van Rijn Etchings
17th-18th century A.D.Sold for (Inc. bp): £247
Comprising: landscape with farm buildings, cows and horses; accompanied by a portrait, an impression of Rembrandt by Thomas Worlidge, printed 1757, torn. 11 grams total, 14.5 x 13.5 - 15.2 x 9.5 cm
Private collection, Suffolk, UK.
The 'portrait of a man' shows clearly the influence of Rembrandt's self-portrait studies, e.g. 'Self Portrait with Saskia' of 1636. The landscape scene resembles 'Landscape with Cottage' drawn in the 1650s.