Tudor Period Bronze Armorial Ring with Crowned Lion and Unicorn

Composed of a slender hoop inscribed around the interior, maker's stamp 'TS' in rectangular cartouche, possibly for goldsmith Thomas Sharp. 3.03 grams, 19.90 mm overall, 17.05 mm internal diameter (approximate size British O, USA 7, Europe 14.98, Japan 14)



From the collection of a North American gentleman, formed in the 1990s.

In the medieval period many rings bore posy inscriptions in Latin or French, the languages frequently spoken by the affluent elites. Later, inscriptions in English became more usual, although the lack of standardisation in spelling might surprise the modern reader. The inscription is generally found on the interior of the ring, hidden to everyone except the wearer and most of the sentimental mottoes were taken from the popular literature of the time. In fact, love inscriptions often repeat each other, which suggests that goldsmiths used stock phrases. In the later 16th century, ‘posy’ specifically meant a short inscription. A posy is described in contemporary literature as a short ‘epigram’ of less than one verse. George Puttenham (1589) explained that these phrases were not only inscribed on finger rings, but also applied to arms and trenchers. The practice of giving rings engraved with mottoes at betrothals or weddings was common in England from the 16th century onwards, and continued until the late 18th century. Sources suggest that rings could be acquired ready- engraved, or alternatively engraved sometime after their initial production, by a hand other than the goldsmith’s. Joan Evans assumed that posy rings were principally used by/between lovers and distinguished four contexts for the giving of posy rings by one lover to another: betrothals, weddings, St Valentine’s Day and occasions of mourning. Samuel Pepys’ diary makes clear that posy rings might also mark the marriage of a family member, when bearers could even commission their own rings and chose their own mottoes from books. The rings could also function as tokens of friendship or loyalty.

Depicting a robed and nimbate figure of Saint Eleutherios, facing, hands gesturing in front of his chest, text in Greek across left and right fields reading 'O Aγιος Ἐλευθέριος,' (Saint Eleutherios). 596 grams, 33.5 cm



Ex French gallery, Paris.

As bishop in Illyricum, Eleutherios promoted Christianity at a time when the persecutions not only made it difficult to win and hold converts, but also at a time when it was very dangerous to be a high-ranking prelate of the church. Oblivious to this threat, he was acclaimed in the inner circle of Christianity as the brightest luminary of Christian Rome since the apostles. His immense popularity grew and thereby became more dangerous to the state. He was finally brought to the attention of Emperor Hadrian, who ordered his arrest, tortured and put him to death on December 15th.

Formed as a circular spring and two expanding arms developing to a penannular clamp with bulb finials; sliding retainer clip. 325 grams, 21 cm



From a Home Counties collection, 1970-1980.