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LOT 1937
Tudor Period and Later Iron Padlock Collection
CIRCA 16TH-17TH CENTURY A.D.
2 - 3 1/2 in. (431 grams total, 50-89 mm).
Comprising a variety of types of padlocks, most retaining their arm and ceased in the locked position. [8]
ProvenanceAcquired 1990s-early 2000s.
East Anglian private collection.
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AUCTIONS:
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LOT 1937
Tudor Period and Later Iron Padlock Collection
Sold for (Inc. bp): £143
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Embroidery Sampler
Dated 1834 A.D.Sold for (Inc. bp): £85
Framed and glazed; embroidered by Phoebe Chisholm aged 12 years 1834. 1.7 kg, 49 x 40 cm
Acquired on the UK art market. East Anglian private collection.
The verse is quoted from the poem 'The Growing Boy'. -
Post Medieval Bone China Portrait of Naser al-Din Shah Qajar
20th century A.D.Estimate: £300 - 400 (+bp*)
Opening Bid: £150
Painted onto bone china in polychrome and gilt, showing the ruler facing, dressed in royal attire. 27 grams total, 64 mm high (82 x 82 mm including box)
Acquired by the vendor's father on the UK art market, before 1990.
Naser al-Din Shah Qajar was the fourth Shah of Qajar, and the third longest reigning ruler in Iranian history. He was assassinated in Tehran on 1st May 1896. He is known for being the first modern Persian monarch to have formally visited Europe and to have written about his travels in his memoirs. -
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Egyptian Temple of Abu Simbel by J. W. Cox
Dated 1932 A.D.Sold for (Inc. bp): £52
Signed in the bottom right corner of the watercolour; framed and glazed with loops for suspension to the reverse. 1.65 kgs, 40.4 cm
Ex Albert Ward collection, Essex, UK.
J.W.S. Cox (1911-1982) was an American watercolourist renowned for developing the wet-on-wet painting technique. He grew up in New York, where he avidly sketched landscapes from an early age. The artist graduated from Pratt Institute NYC in 1933 and worked various jobs through the Great Depression. In 1936, he studied at the Acadamie Colarossie in Paris, and with Fauvist Othon Friesz for a short time, although later dismissed the Fauvist style as 'sloppy'. He went on to teach watercolour painting to students at Boston University, founding a studio on Bearskin Neck, Rockport, where he developed his 'sponge painting' and palette-knife techniques. He painted with an individualistic style, becoming a member of the Boston Watercolour Society. Cox shunned publicity as he believed it robbed him of painting time and turned down membership to the National Academy because he 'wouldn't play the game'. A Renaissance man, Cox spoke 12 languages with a goal to present himself 'and the soul of nature as truthfully and with as much inspiration, vitality and freshness as is possible, through the medium of watercolour'. He died of a heart attack in Florida in 1982.
