Tudor Period and Later Iron Padlock Collection

Comprising: one with scaphoid bezel, intaglio figure of Hermes; one wire with spiral bezel; one with serpent heads supporting a rectangular bezel with pellets; one with flat hoop, round bezel with bull mask. 26 grams total, 18-28 mm

Fine condition.

Acquired since the 1970s. Private collection of a gentleman from Vienna, Austria.

Comprising complete and fragmentary items including: Dutch glazed tiles; a Bronze Age dagger blade; buckles, figures, thimbles, coins, seals, chapes, furniture and other fittings; together with other miscellaneous items. 5.9 kg total, 1-15 cm



Acquired 1990s-early 2000s. East Anglian private collection.

In 13th century A.D. style, Jesus represented in the centre in blue and white light, with shining clothes; to his right Moses, to his left Elijah; the mountain of Tabor represented in rocky fragments below, the disciples John, his brother James and Saint Peter in awe and terrified by the divine event; remains of a wax seal impression to reverse, together with a loop for suspension. 783 grams, 30 cm



Ex French gallery, Paris.

The icon was realised following the tradition of the Novgorod school of 13th century A.D. A mandorla of blue and white light was usually used in most oriental icons. Not all icons of Christ have mandorlas and they are often used when representing divine light. The mandorla thus represents the ‘uncreated light’ that shines on the three disciples in the icons of Transfiguration. During the Feast of Transfiguration, the Orthodox sing a troparion which states that the disciples 'beheld the light as far as they were able to see it' signifying the different levels of their spiritual progress. Sometimes a star is superimposed on the mandorla, but here the stars are are impressed all around the edge. The mandorla represents the 'luminous cloud' and is another symbol of light. The luminous cloud, a sign of the Holy Spirit, descended on the mountain at the moment of the Transfiguration.