Tudor Lead Figure of a Bird

Representing Saint Antipas with a Gospel in his left hand and making the gesture of blessing with his right, dressed as a bishop, with sticharion, covered by omophorion, and surmounted by an epitrachelion; the Mandylion at the centre above the saint, Saint Mary on the left panel and Jesus on the right; Old Slavic inscription around the figures: 'ΙC ΧΡ' (Jesus Christ); 'ΜΡ ϴΥ'(Mother of God); Saint Antipas of Pergamum (Св Анти́па Перга́мский). 238 grams, 11.3 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The icon features meticulous craftsmanship typical of Orthodox iconography. Saint Antipas was popularly held to be a healer of tooth problems. He was martyred by burning in a brazen bull-shaped altar under the Emperors Nero or Domitian.

Restrung group of tabular, oblate and other types. 41 grams, 37 cm



London, UK, collection, 2000s.

Iron flat-section shaft with three tiered cross-bars, the two lowest each with five iron lamp-bowls to the forward face; above, a U-shaped bar with a lamp bowl at each upper end; top of the shaft developing to an anthropomorphic torso with ellipsoid head and two narrow arms raised vertically; chain around the neck with hand-forged extinguishing spoon; mounted on a square base; Dogon, Mali, workmanship. 6.25 kg total, 132 cm including stand



From the private collection of Dr Hans-Joachim Koloss, Berlin, Germany, 1975-2002. Gorny & Mosch, Munich, Germany, auction 279, no.410. Accompanied by a copy of the Gorny & Mosch invoice and illustrated catalogue listing. Accompanied by a copy of the German cultural export licence.

The figure is probably a Nommo, a primordial ancestral spirit in Dogon cosmogony. A Nommo is usually considered to be amphibious, hermaphroditic and fish-like. They are typically depicted in Dogon art with a humanoid upper torso, and a fish-like lower torso and tail.