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LOT 2138
Tudor and Later 'Thames' Lead Toy Griddle Group
16TH-17TH CENTURY A.D.
1 1/8 - 1 1/2 in. (12.4 grams total, 30-39 mm).
Comprising: an openwork griddle with fish; rectangular example with openwork volute lug and beaded design to one face; rectangular plaque displaying fish scales. [3, No Reserve]
ProvenanceFound Thames foreshore spoil, 1980s.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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LOT 2138
Tudor and Later 'Thames' Lead Toy Griddle Group
Sold for (Inc. bp): £13
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Post Medieval Dutch Glazed Ceramic Tile Group
Circa 17th-18th century A.D.Estimate: £100 - 140 (+bp*)
Opening Bid: £40
Mainly comprising blue and white glazed tiles displaying floral compositions and insects visiting shrubs and flowers. 5.2 kg total, 12 x 13.3 - 13 x 13 cm
Acquired 1990s-early 2000s. East Anglian private collection. -
Post Medieval Clay Pipe Bowl Group Including Armorials
Circa 18th century A.D.Sold for (Inc. bp): £7
Together with decorative designs, comprising bowls of various shapes and dates; together with a number of stems, some decorative. 1.12 kg total, 3.6-10.5 cm
Acquired 1990s-early 2000s. East Anglian private collection. -
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Egyptian Temple of Abu Simbel by J. W. Cox
Dated 1932 A.D.Sold for (Inc. bp): £52
Signed in the bottom right corner of the watercolour; framed and glazed with loops for suspension to the reverse. 1.65 kgs, 40.4 cm
Ex Albert Ward collection, Essex, UK.
J.W.S. Cox (1911-1982) was an American watercolourist renowned for developing the wet-on-wet painting technique. He grew up in New York, where he avidly sketched landscapes from an early age. The artist graduated from Pratt Institute NYC in 1933 and worked various jobs through the Great Depression. In 1936, he studied at the Acadamie Colarossie in Paris, and with Fauvist Othon Friesz for a short time, although later dismissed the Fauvist style as 'sloppy'. He went on to teach watercolour painting to students at Boston University, founding a studio on Bearskin Neck, Rockport, where he developed his 'sponge painting' and palette-knife techniques. He painted with an individualistic style, becoming a member of the Boston Watercolour Society. Cox shunned publicity as he believed it robbed him of painting time and turned down membership to the National Academy because he 'wouldn't play the game'. A Renaissance man, Cox spoke 12 languages with a goal to present himself 'and the soul of nature as truthfully and with as much inspiration, vitality and freshness as is possible, through the medium of watercolour'. He died of a heart attack in Florida in 1982.
