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LOT 2001
Tie Pin with Gold Finial with Pearls
MID 20TH CENTURY A.D.
2 3/8 in. (1.66 grams, 61.5 mm).
Comprising a slender shank with incised running spiral. perpendicular mounted disc with dentilled rim, and central boss, canetille filigree floral detailing, inset seed pearls and central ruby cabochon; stamped to reverse '15 CT'. [No Reserve]
ProvenanceAcquired on the UK art market.
Property of an Essex, UK, gentleman.
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AUCTIONS:
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Tudor Period Gilt Bronze Mount with Acorns
16th-17th century A.D.Sold for (Inc. bp): £65
Slightly domed profile, central floral motif with radiating foliate scrolls, six acorns to the outer edge. 26.9 grams, 48 mm
Ex German art market, 2000s. Acquired from an EU collector living in London. From the collection of Surrey, UK, gentleman. -
Medieval Style 'Billy and Charley' Fantasy Pendant
19th century A.D.Sold for (Inc. bp): £91
By William Smith and Charles Eaton; obverse: head with radiate crown; reverse: crowned figure with dagger and chalice. 112 grams, 10.7 cm
From the collection of the famous author, writer and speaker, Gordon Bailey, Essex, UK; formed since 1968.
"Billy and Charlies", also known as the Shadwell forgeries, refer to a very extensive series of fake antiquities made in Victorian London by William Smith (Billy) and Charles Eaton (Charley). They were mudlarks who searched the Thames for items of value. William Edwards, a London antique dealer, made Billy's acquaintance around about 1845, and he met Charley some years later. He paid them for items of interest that they found. Billy and Charley earned money from this until 1857, when they decided to counterfeit antiquities. They cast objects from lead or pewter, cutting dies into plaster of Paris moulds with nails and knives, and bathing the finished items in acid to simulate aging. Their commonest products were medallions, but others included daggers, statuettes, ampullae and even small shrines; as they were both illiterate the inscriptions on many of the objects are nonsense. They sold their forgeries to very prominent collectors of the time who thought they were genuine. Eventually, due to the large volume of objects that were appearing on the market, they were arrested and tried at court though they could not be found guilty of any crime at the time. They were released and carried on producing fakes but their style of manufacture had become well known and they eventually disappeared from history. -
Bactrian Style Lapis Lazuli Bead Necklace String
20th century A.D.Sold for (Inc. bp): £7
Graduated group of beads, mainly tubular and annular types with spherical centrepiece and leaf-shaped dangles. 42 grams, 46 cm
London, UK, art market, 1980-2000s