'The Customs House' Tudor Inscribed Iron Hammer-Head

With short tang for an organic hilt, the blade showing multiple grooves forming a pronounced mid-rib spanning roughly more than three-quarters of the blade; accompanied by a custom-made display stand. 1.18 kg total, 45.5 cm (49 cm including stand)



Ex P.A., Hertfordshire, UK, specialist collection of Greek art, 1980-1990s.

Luristan was hardly an ethnic or political entity, but the people of Luri had relations through warfare and traded with Sumerians, Lullubi, Assyrians, Babylonians and Elamites over a long period of time, spanning from the 3rd to the 2nd millennium B.C. The ruling elites of warrior horsemen were buried with their weapons and horses.

Piriform body with thick ribs to the shoulder and impressed panels between, domed filler-hole, intended to be filled with explosive liquid and wick, used as a hand grenade. 708 grams, 15 cm



Acquired 1980-2015. Ex Abelita family collection. Accompanied by an academic paper by military specialist Dr Raffaele D'Amato, dated 15 July 2019 and titled 'Eastern Roman Empire - Greek Fire Bomb or Hand Grenade (μεσαίον kακάβιον) 9th-11th century AD'.

Apart from the use of siphons or manual flame-throwers called cheirosiphona, special corps of Roman soldiers employed terracotta grenades, in the form of small jars, abundantly evidenced in archaeological excavations. They were called μεσαία kακαβιά or κυτροκακάβια where the former had a bulbous shape and the latter a more cylindrical form.

Comprising a globular flail head with large suspension loop above and sixteen spiked projections to the sides. 829 grams, 89 mm



From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.

The medieval flail was a weapon mainly used in Eastern Europe, probably created among the Steppe people and used by the Mongols, adopted by the Slavic people under the name of kisten. Such a weapon probably saw little use in Western Europe, where it is first represented in the 14th century in a fresco depicting the battle of Nineveh painted by Piero della Francesca, as a chain with three maceheads. In the poem Le Chevalier Délibéré written by Olivier de la Marche and published in 1486, there is an engraving representing a knight carrying a rather simple morning star with asymmetrically mounted quills and a single-ball flail of quills. It is thought that in the Middle Ages the nailed mace in general was used to break through and dismantle the armour of enemies who were then 'finished' with swords or daggers.