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LOT 2068
Tek Sing Treasure Shipwreck Glazed Blue and White Plate Set
EARLY 19TH CENTURY A.D.
5 7/8 - 6 3/8 in. (1.47 kg total, 15-16.2 cm).
Comprising six plates with a painted floral spray to the inner face and a looped border; the outer face with tendrils. [6, No Reserve]
ProvenanceEx Nagel Auction, with official Tek Sing Treasure labels to verso.
Accompanied by an illustrated information sheet about the Tek Sing shipwreck.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Tek Sing (True Star) wreck is one of the famous recovery stories of the 20th century. Sailing from the port of Xiamen (then known as Amoy) in February 1822 the vessel Tek Sing was bound for Jakarta, Indonesia laden with porcelain goods and 1600 Chinese emigrants. The captain decided to pass through the Gaspar Strait, between the Bangka-Belitung Islands, and ran aground on a reef. The vessel sank in about 100 feet of water. The next morning, February 7, an English East Indiaman captained by James Pearl, passing through the same waters, encountered debris and some survivors and managed to rescue about 190 of the latter.
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AUCTIONS:
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LOT 2068
Tek Sing Treasure Shipwreck Glazed Blue and White Plate Set
Sold for (Inc. bp): £390
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Chinese Ming Green-Glazed Musician with Drum
Ming Dynasty, 1368-1644 A.D. or laterSold for (Inc. bp): £46
Modelled standing on a tiered base; wearing a tall hat, a floor-length robe and boots; arms held in front of his body above a drum strapped to his waist; green and brown glaze. 494 grams, 24 cm
Ex H.N. collection, Milton Keynes, UK, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
China provides some of the earliest traces of music making. These are mainly in the form of well-preserved musical instruments, the tangible evidence of music. Over several millennia, musical instruments from regional indigenous traditions as well as from India and Central and West Asia were assimilated into the mainstream of Chinese music. Some of the most ancient instruments have been retained, transformed, or revived throughout the ages and many are in common use even today, testifying to a living legacy of a durable art. This legacy is frequently celebrated in the visual arts of China, documenting rituals and celebrations, or as status symbols of those whose lives were enhanced by the resonate sounds of instruments. Ancient Chinese people believed they would go to an afterlife when they died. So they placed miniature versions of things for everyday use in tombs for the deceased, such as these musicians, hoping that the dead could enjoy the next life like when they were alive. These grave objects gradually developed into funerary artworks and reflected the social standing of the deceased. -
Ca Mau Cargo Shipwreck Glazed Blue and White Dish Set with Fisherman Scenes
Early 18th century A.D.Sold for (Inc. bp): £156
Each of shallow profile showing a lake scene with a fisherman on the foreground, boats floating in the distance, buildings nestled between hills in the horizon. 332 grams total, 10.5-10.9 cm
Ex Sotheby's, Amsterdam, 29-31 January 2007. Accompanied by an illustrated information sheet about the Ca Mau shipwreck. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
The Ca Mau shipwreck refers to a cargo of Chinese porcelain sunk between 1723 and 1735 off the coast of Vietnam. The wreck was discovered by Vietnamese fishermen in 1998. It is believed the wreck was a merchant’s junk on its way from Canton (Guangzhou) to Batavia when it caught fire and sank. The ship was carrying goods destined for Dutch traders who had limited access to China and its ports. -
Chinese Song Terracotta Wall Tile with Musician
Song Dynasty, 960-1279 A.D. or laterSold for (Inc. bp): £124
Rectangular with a recess to the obverse showing a seated musician playing a pipa, hair gathered on a top-knot. 6.3 kg, 33 cm
Ex West Country, UK, collection, 1990s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
