Sumerian Lapis Lazuli Amuletic Animal Seal

Including triangular, leaf-shaped, barbed, paddle-shaped arrowheads with a flat, comparatively wide mid-rib, and others. 271 grams total, 5.8-10.7 cm



Ex London art market, 1980-1990s. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Some of the represented arrowheads (paddle-shaped) were typical of the Old Babylonian Empire. The shoulders were pronounced and the arrowhead had a rectangular-section tapering tang. This simple form was popular throughout and are comparatively common finds in the Holy Land.

Representing a god with horned helmet, half animal and half man, standing on the left and holding a staff, near him the hero Gilgamesh killing Humbaba, and the hero Enkindu killing the celestial bull, followed by a mythological divinity depicted as half animal and half human; supplied with a museum-quality impression. 27 grams, 33 mm



Acquired in the mid 1980s-1990s. Private collection, Switzerland, thence by descent. Private collection, since the late 1990s. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12577-232112. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

King Sargon of Akkad created political unity when he seized control of Mesopotamia, and carvings on seals from the time demonstrate his success by portraying the power the Akkadian gods had to legitimize both their domain and their rulers. Religious scenes on cylinder seals detail the spiritual beliefs and practices of the time. The deeply intertwined relationship between religion and state power in Akkad is also present in the decorations of some cylinder seals. Here the hero Gilgamesh, embodying the strength of royal power, kills the monster Humbaba, as the king of Akkad kills his enemies.

Carved in the round with its legs tucked underneath the body, stylised head with large almond-shaped eyes and incised details to the muzzle, large hump to the neck. 86 grams, 59 mm



From a collection formed before 1988, London and Geneva. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.