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LOT 0684
Stone Minerva Statuette House Altar
ROMAN, 2ND-4TH CENTURY A.D. OR LATER
8 3/8 in. (5.3 kg, 21.2 cm high).
Square-section with stepped base, gussetted collar and two parallel bars to the upper face; inscribed 'DEAE.MINERV[AE] / LVCIVS.PLAC[IDUS] / VITELLI.FIL[IVS].V[OTUM] / S[OLVIT].L[IBENS].M[ERITO]' (to the goddess Minerva, Lucius Plac[idus] son of Vitellius, discharges the vow freely, as is deserved); the inscription highlighted in crimson. [No Reserve]
ProvenanceFrom a collection acquired on the UK art market from various auction houses and collections mostly before 2000.
From an important Cambridgeshire estate; thence by descent.
Cf. Graham, F., Hadrian's Wall in the days of the Romans, Newcastle upon Tyne, 1984, pp.71, 78, 187.
FootnotesVotive inscriptions follow a set pattern, since they were dedicated to a god or goddess to thank them for something they had done in response to a prayer. The person dedicating the stone would have previously promised to do this if the god answered their prayer. The formulation V.S.L.M. (votum solvit libens [or libenter] merito = in willing fulfilment of a vow) is attested for example at Bath, or on the Arae of the Hadrian's Wall.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
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According to the legend, Theseus, prince of Athens, went to the island of Crete to kill a monster who was the son of queen Pasiphae and a wild bull, although officially he was the son of Minos and Pasiphae. Theseus chased him into the labyrinth, killed him and found his way out with the help of the comb of Ariadne, daughter of King Minos. The myth has its representation in the Archaic, Classical and Hellenistic period, and was widely depicted in the Graeco-Roman world. The present repoussé appliqué was probably used as a furniture or horse harness ornament.
