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LOT 0386
Stained Glass Panel with the Assumption of Mary
FLEMISH, 19TH CENTURY A.D. OR EARLIER
25 1/2 x 21 in. (4.5 kg, 65 x 53.5 cm).
In late 15th century style, Mary ascending to Heaven in the foreground with her arms crossed, dressed in a white and blue garment, wrapped in a red cloak; surrounded by four angels in white embroidered robes, covered by red, green and gold mantles; on the background the grave of Mary surrounded by vegetal ornaments; inscription at the bottom in medieval Flemish ‘DE HEMELVAART VAN MARIA’ (the Assumption of Mary) in uncial letters; some restoration. [No Reserve]
ProvenanceFrom a war-damaged church in Belgium.
Ex property of a late Northumberland collector.
From a private collection, Derbyshire, UK.
This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.
Cf. similar scene in the Metropolitan Museum of Art, New York, accession no.41.190.457, Assumption of the Virgin, stained glass from Jan Rombouts, circa 1505, in The Metropolitan Museum of Art, Bulletin 1971-January 1972, New York, 1972, p.52.
FootnotesThe Assumption of Mary into Heaven is a dogma of faith of the Roman Catholic Church, according to which Mary at the end of her earthly life went to Heaven in body and soul. According to the Eastern Orthodox tradition, the Assumption of Mary was preceded by a deep sleep (Dormitio Virginis): but the Dormition of Mary is not the object of dogma, while her glorification in body and soul is an integral part of the faith of the Catholic Church.
CONDITIONTimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
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Russian Icon with Mother of God and Christ
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Depicting nimbate Mary Theotokos with veiled head and wearing a red maphorion mantle over a dark blue robe with gold cuffs, inclined towards the infant Jesus supported by her left hand, wearing a bright red mantle and a blue tunic highlighted with gold, his left arm holding a roll and the right hand in a gesture of blessing; white field, tempera on wood, Smolenskaya type. 1.12 kg, 32 x 26 cm
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The model for the icon, painted in a 16th century style, is the Mother of God of Smolensk, associated with the Byzantine icon of the Hodegetria ('She who shows the ways’). According to the legend, the icon of Smolensk received the name after healing two blind men. The original icon of Smolensk was a gift of the Roman Emperor Constantine Monomachus to his daughter Anna when she married the Russian Prince Vsevolod. Later Anna presented the icon to her son Vladimir who displayed it in the Vladimir Cathedral.
