Specimen Marbles from the Grand Tour Set into a Victorian Table Top

A substantial ring with a box-shaped bezel set with a table-cut red spinel of deep purplish-red hue, the reverse of the bezel convex with chamfered ends. 6.93 grams, 24.30 mm overall, 17.05 mm internal diameter (approximate size British M 1/2 , USA 6 1/4, Europe 13.09, Japan 12)



Private English collection, formed between the late 1970s and early 1990s. Private collection, UK. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12996-245986.

The box bezel is typical of both Spanish and Islamic goldsmithing traditions. The small pointed projection at the rear of the hoop, however, is not a common feature in Spanish rings but is a distinctive hallmark of Islamic goldwork — a form ultimately rooted in Middle Eastern traditions of the Sasanian, Fatimid, and Mamluk periods. This detail likely reached Spain through the transmission of techniques from the Middle East into Islamic North Africa, and subsequently into the goldsmithing repertoire of al-Andalus. These forms were adapted by Spanish goldsmiths to accommodate the tastes of a Christian clientele, reflecting the deep and enduring influence of Islamic craftsmanship in post-Reconquista Spain.

Oil and tempera, depicting the Virgin Mary and the infant Jesus on a plain gold field; Mary wearing a red maphorion mantle over a blue robe, with golden brocade to the hem, in the style of Hodegetria (She who shows the way); the Virgin pointing at Jesus with her right hand, while looking towards the spectator; the infant facing left, resting on Mary's left arm, dressed in white tunic, wrapped in a red-orange shawl, right hand blessing the mother, left hand extended holding a scroll of the Holy Scriptures, while crossing his legs to reveal the naked sole of one of his feet; very effaced Greek inscriptions in red lettering 'ΜΡ ΘΥ (Μήτηρ (τοῦ) Θεοῦ = Mother of God)' flanking Mary's head; inscription in Greek 'ΙϹ ΧϹ' (ΙΗϹΟΥϹ ΧΡΙϹΤΟϹ = Jesus Christ) above the infant; rectangular wooden board with mounting bars to reverse and old collector's label 'Vierge Hodigitria, type Tikhvin, Icone russe du 16eme siècle, achetée á Constantinople…chez Monsieur Captain…peinture transmise sur nouvelle planche [Virgin Hodigitria, Tikhvin type, Russian icon from the 16th century, purchased in Constantinople...from Monsieur Captain...painting moved on a new board]'; border with pointillé lozenges and other detailing. 4.7 kg, 70.3 x 52.5 cm



Acquired on the UK art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no. 19929-246334.

According to the legend, this particular icon of the Mother of God appeared in Rus' in 1383 near Veliky Novgorod over Lake Ladoga, and travelled through the air to the Tikhvin River, stopping at several points along the way and performing miracles. On Tikhvin, where the icon came to rest, a stone Dormition Cathedral was built by order of Grand Prince of Moscow Vasil III in 1515, and in 1560, Ivan the Terrible founded the Tikhvin Dormition Monastery near this cathedral. In 1613, the Dormition Monastery withstood the Swedish invasion, and in 1617, the Treaty of Stolbovo was concluded with Sweden. These events were associated with the miraculous intercession of the icon. Until 1936, the icon was kept in the Dormition Cathedral. In 1936, services in the cathedral were discontinued, and the icon was housed in various churches in Tikhvin. In November 1941, Tikhvin was occupied by German troops. The icon was taken abroad and remained in Chicago since the 1950s. In 2004, the icon was again ceremoniously transferred to the Dormition Cathedral of the Tikhvin Monastery.

Of tapering cylindrical form, extensively decorated in red, white, green and blue enamel in a foliate and floral design with scalloped borders, plain suspension loop; in 23 carat gold, unmarked, enamel restored; possibly of Indian workmanship. 4.84 grams, 42 mm



By repute found in the UK. Acquired Noonan's, London, UK, 15 September 2020, no.202. Property of a British collector. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.12997-244313.

The enamelling is similar to Indian enamelled works from the Mughal period, all of which are rare, and these are regarded as gifts for a royal child. This whistle, however, is reported as originally being found in the UK and may be earlier in date.