Specimen Marbles from the Grand Tour Set into a Victorian Table Top

Iron flat-section shaft with three tiered cross-bars, the two lowest each with five iron lamp-bowls to the forward face; above, a U-shaped bar with a lamp bowl at each upper end; top of the shaft developing to an anthropomorphic torso with ellipsoid head and two narrow arms raised vertically; chain around the neck with hand-forged extinguishing spoon; mounted on a square base; Dogon, Mali, workmanship. 6.25 kg total, 132 cm including stand



From the private collection of Dr Hans-Joachim Koloss, Berlin, Germany, 1975-2002. Gorny & Mosch, Munich, Germany, auction 279, no.410. Accompanied by a copy of the Gorny & Mosch invoice and illustrated catalogue listing. Accompanied by a copy of the German cultural export licence.

The figure is probably a Nommo, a primordial ancestral spirit in Dogon cosmogony. A Nommo is usually considered to be amphibious, hermaphroditic and fish-like. They are typically depicted in Dogon art with a humanoid upper torso, and a fish-like lower torso and tail.

Comprising a slender oxyrhynchus fish on a supporting sledge with incised decoration and a pierced suspension block above. 7.95 grams, 46 mm



From the private collection of Mr K.A., acquired in the 1990s-early 2000s.

The Oxyrhynchus (meaning 'sharp-nosed') fish is featured in the later version of the Osiris legend as the creature that swallowed and preserved the phallus of the dismembered king.

Representing Saint Nicholas of Myra with a book in his left hand and making the gesture of blessing with his right, dressed as a bishop with sticharion, covered by omophorion, and surmounted by an epitrachelion embroidered with crosses; the saint flanked by Jesus and Virgin Mary, Christ holding the gospel, Mary the bishop’s epitrachelion; Cyrillic inscriptions 'Saint Nikolaos the Wonderworker (СВЯТЫЙ НИКОЛА ЧУДОТВОРЕЦ), Iesus Christos (ΙΣ ΧC) and Mother of God (ΜΡ ΘΥ)' on the enamelled background. 348 grams, 10.7 cm



Acquired from Chris Martin-Zakheim, Iconastas, 5 Piccadilly Arcade, London SW1. From the private collection of a West London, UK, gentleman, formed since the early 2000s.

The icon features meticulous craftsmanship typical of Orthodox iconography. The enamel colors, despite the passage of time, retain their vibrant intensity, highlighting the key elements of the depicted images. The refined details and use of enamel give depth and luminosity to the icon, making it a precious example of the Russian Orthodox tradition.