South East Asian Sandstone Head of the God Shiva

Hemispherical in profile with broad foot; painted design of flowers and leaves; supplied with a wooden stand. 325 grams total, 10-13.9 cm wide



From the private collection of a Canadian gentleman living in Essex, UK, formed since the 1920s-circa 1990. Property of an Essex lady until the the late 1990s; thence by descent. From the private collection of an Essex gentleman since the late 1990s.

Comprising three powder boxes, two with painted floral motifs and one with a painted landscape. 291 grams total, 57-62 mm



Ex Butterfield and Butterfield auction with official Hoi An Hoard labels. Accompanied by an illustrated information sheet about the Hoi An shipwreck.

In the mid 15th century a freighting junk loaded with fine Vietnamese pottery sank in an area of the South China Sea called the 'Dragon’s Embrace.' This vessel is part of the shipwreck cargo recovered off the coast of Vietnam at Hoi An. The ceramics themselves were probably made in the area of Chu Dau.

A hollow-moulded grey pottery figure of an attendant, depicted standing in a reverent pose with typical Han Dynasty slender form, wearing the traditional Eastern Han Dynasty shenyi court attire, consisting of a long vest tied at the waist and long, flaring sleeves with remains of decoration executed in red and white brush strokes. 1.4 kg, 37.5 cm

Fine condition.

Ex The late Sir Roger Moss OBE collection. Property of a Bristol, UK, gentleman.

The late C. Roger Moss OBE was a renowned art collector who, throughout the years, thanks to his determination and enthusiasm, was able to create an outstanding collection of artworks, most prominently from China and the Orient. His high-profile career included impactful tenures as Finance Director of British Airways and latterly of the Mass Transit Railway Corporation in Hong Kong. Counting some of the world's most respected curators, collectors and artists amongst his friends, Roger loved to seek out unusual and challenging finds and to share his passion for those historic and cultural objects with others, regularly giving talks on 'Collecting and the Collector'. He was the President of the Oriental Ceramic Society: 'Many OCS members enjoyed 'foraging' with Roger in their own quest for the 'perfect treasure'. His deep intellect and emotional sensitivity are reflected in the art which he purchased and the sale of his artworks which now allows others to further enjoy the expression of beauty and form.'