Smith and Wesson Old Model No 2 Revolver

Of Kunze Group VII, formed from two curved segments, each with a flared rim, nasal, raised panels to the upper section of the bowl, repoussé ridge forming curved brows, a recess for the ear to each side; star-shaped attachment to the top with slot for plumes; restored and with replica cheek pieces. 2.7 kg total, 42.5 cm high including stand

Restored, but in general good condition, rare details

Acquired in the 1970s. Ex private Austrian collection. The Kusmirek Collection, UK Accompanied by an academic report by Dr Raffaele D'Amato. Accompanied by a report of metallurgical analytical results, written by metallurgist Dr Brian Gilmour of the Research Laboratory for Archaeology and History of Art, University of Oxford. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate number no.11763-203979.

Among the Chalcidian helmet types, the fifth and last typology, corresponding to the Kunze group VII (Pflug, 1988, p.138), was characterised by the presence of detached cheek-guards. By the end of the 5th century BC, the fixed cheek-pieces had been entirely abandoned on the Chalcidian helmets for the more versatile hinged cheek pieces. As is the case with most of the Greek helmets in 5th and 4th century B.C., very few originals have been found on the Greek continent. Several district regional workshops produced such helmets by the 5th century B.C.: mainland Greece, the Black Sea Coast, Thrace, Southern Italy and Iberia.

Displaying a corrugated rim above and below; two advancing soldiers, each striding forwards over the headless body of a dead enemy, carrying a severed head in each hand; the soldiers shown bearded and each wearing a pointed and segmented helmet with a recess to accommodate the ears, a cuirass and thigh-length tunic, with a bow over one shoulder and a sword slung from a waist belt; mounted on a custom-made display stand. 72 grams, 10.8 cm wide (277 grams total, 11 cm high including stand)



Ex S. Moussieff collection, London, UK. Acquired from C.J. Martin (Coins) Ltd. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.203209.

Battle-scenes - and especially images where the Assyrians overrun their enemies and achieve outright victory - appear to make up a large part of 'official' art of the period. Subjecting a defeated foe to torture and death is the theme of much of the wall-decoration of the palace of Nineveh. A battle-scene depicting the siege of a walled city shows similarly equipped infantrymen; it is in the Metropolitan Museum of Art, New York, under accession no.55.121.4a, b.

The blade with a tapering, triangular cross-section and tang with rivet holes; wedge-shaped domed pommel. 131 grams, 31.5 cm



Acquired 1960s-1990s. From the late Alison Barker collection, a retired London barrister.

This is a weapon rather than a domestic knife, and is depicted as a sidearm for soldiers and knights alike in various iconography. This type of dagger was in use from the 14th to mid 16th century, and this example finds similarities with Hauswehrs used in the Eastern Europe during the 15th-16th century A.D.