Silver Memento Mori Skull Pomander

Standing with head lowered and facing slightly right. 297 grams, 13 cm long



From the private collection of John Meredith, acquired since the 1990s; thence by descent.

With raised right hand, the left hand holding the Gospel, dressed in red tunic and dark-green garment (himation); covered with an elaborate silver oklad with repoussé and chased decoration, mounting bar to reverse, silver-coloured metal with reserved epigraphic panels and circular void to reveal painted icon beneath; separate two-piece gilt revetment, the upper nimbus with pierced edge and reserved capitals, set with four stones; the background panel bearing reserved tendril ornament; incised Cyrillic inscription 'Г[оспо]дь Вседержит[ель]' (= Lord Almighty) on the sides of Jesus; the Gospel with Cyrillic inscription, red foil embroidered in gold; incised three letters in Cyrillic capitals on the gilt nimbus 'ТѠ Ο И' (The only living One). 983 grams, 29 x 25 cm



Acquired on the UK art market. Private collection, London, UK. Accompanied by an academic report by Dr Raffaele D'Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate number no.12926-246332.

Comprising a painted board with mounting panel and slots to the reverse, gessoed surface with painting of St John the Baptist standing nimbate with wings spread behind him, left hand supporting a bowl containing his severed head and holding an unfurled scroll with Cyrillic text 'Repent ye, for the Kingdom of Heaven is at hand,' (Matthew 3:2); right hand raised in blessing; landscape with sand-dunes and trees; gilded title above; the upper border with gilt Slavonic inscription reading 'Holy John the Forerunner'; from the Palekh Icon School, probably made in Mstera circa 1890. 1.02 kg, 31 cm high

Fine condition.

Ex property of a London lady, part of her family's collection. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by a search certificate no.11546-196366.

The Palekh icon school emerged in the 17th century, inspired by the Moscow and Suzdal traditions of icon painting. Although preserving many features of traditional Russian iconography, the school created its own style that remained active into the 18th century. The hallmarks of the school include the frequent use of gold on the clothes of the saints and a rich palette. Bodies are shown as tall and slender and abrupt transitions between light and shadow are distinctive features of Palekh icons. The wings of Saint John derive from the double meaning of the Greek word used to describe him in Mark 1:2 - Angelos, meaning both messenger and angel. John is often called a 'Heavenly Man' and 'Earthly Angel' in Orthodoxy. At his feet is shown a small tree with an axe cutting into it, illustrating Luke 3:9, 'And now also the axe is laid unto the root of the tree...'