Loading, please wait...
Details
LOT 1889
Silver-Gilt Pineapple Chalice with Saint George
GERMANY, 19TH-20TH CENTURY A.D.
17 1/2 in. (613 grams, 43.6cm).
With waisted body, bulbous shoulder, everted rim, collared stem and tiered splayed foot, ornamented in repoussé bulbs and ogival ribs; lid with openwork rim of palmettes and foliate forms, central domes, finial with basket of palmettes, oval bulb above ornamented in pellets between spiral band, surmounted by a statuette, modelled in the round as Saint George, clad in armour, driving a spear into the dragon, with naturalistic detailing to the saint's features; various stamps to base; finial repaired. [No Reserve]
Provenance
From the Deutsch collection, Germany.
Ex central London gallery.
VETTING:
TimeLine Auctions follows a vetting process to ensure the authenticity and legality of all items, reinforcing our commitment to integrity and responsible trading. Each antiquity, antique, and coin lot undergoes thorough examination by a vetting committee of at least ten external specialists, professional trade association members, scientists, and archaeologists: Our Vetting Process
AUCTIONS:
TimeLine is a leading auction house specialising in antiquities, ancient art, collectables, natural history, coins, medals, and books. Our auctions offer museums, collectors, historians, and enthusiasts the opportunity to acquire unique and historically significant pieces.
RELATED LOTS
-
Framed Watercolour Painting
India, early 20th century A.D.Sold for (Inc. bp): £26
Depicting a nobleman standing in a landscape, holding and admiring a jewel; set in a reveal within a glazed wooden frame. 552 grams, 27.5 x 20 cm
Fine condition, some worm holes.
Acquired on the UK art market, 1980s-1990s. The Woodbridge collection of Indo-Persian art. -
Framed Ottoman Jaljalutieh Page
Circa 1800 A.D.Sold for (Inc. bp): £33
The very famous words and prayers in a poetic form called (jaljalutieh) which imam Ali said, adorned with stylised flower heads in polychrome and gold leaf, framed by a gold leaf border; mounted in a reveal and a glazed wooden frame. 412 grams, 24.5 x 20.4 cm
Fine condition.
Acquired on the UK art market, 1980s-1990s. The Woodbridge collection of Indo-Persian art. -
Ethiopian Diptych with Passion and Resurrection of Christ
18th century A.D.Sold for (Inc. bp): £1,690
Comprising two recessed panels, the left hand panel showing biblical scenes divided into two panels: in the upper panel the deposition of Christ in the tomb and the Resurrection of God, holding a flag in his left hand and grasping the hand of Adam with the right; in the lower panel the flagellation of Christ and the road to the Calvary; Ge'ez inscriptions on the field; the right hand panel showing the Crucifixion, Ge'ez inscriptions on the field. 946 grams total, 32.5 x 21.5 - 33 x 21.5 cm
Ex Alistair McAlpine collection, 2004. Ex central London gallery.
The icon shows Western influence on Ethiopian art. The Crucifixion image contains many elements of this iconography which are found in many Oriental and Western art of the Middle Ages, but with significant changes from the previous representations: Jesus is nailed with three nails and not four, the head leaning towards his right shoulder and the hair falling on his shoulders. Following the Western influence, Christ is represented in a spasm of physical pain, and consequently a more detailed anatomy of his chest and abdomen is depicted. This concept of the Crucifixion, common in the Italian Late Middle Age and Renaissance art, found its way to Ethiopia at some time towards the end of the 15th century, or at the beginning of the 16th century. As in the majority of the Resurrection icons of this period, Christ is dressed in a long robe with a cloak or toga draped over one shoulder.