Scandinavian Viking Inlaid Iron Ring Pin

A hacked irregular hammered silver ingot, probably melted down loot creating a monetised piece of 'Hack' for Viking trade; X-ray Fluorescence analysis provides the following results: Ag (91.7%), Cu (4.09%), Fe (3.69%), Zn (0.19%), Au (0.19%), Pb (0.13%). 32 grams, 30 mm



Ex property of a UK gallery, early 2000s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Ingots of gold and silver were regularly produced in the Early Medieval period when trade took place between monetised economies (Anglo-Saxon England, Francia, Frisia) and their non-monetised neighbours in southern Scandinavia (Blackburn, 2011). Ingots were a convenient means of storing wealth which could be converted into display items (weapon fittings, clothing fasteners, tableware) or used to gild silver and bronze items (Hårdh, 1996).

Horizontal braided band with horse-head finial, loop to reverse, band of loops to lower edge, each with a duck-foot dangle; Finno-Ugric type; mounted on a custom-made stand. 79 grams total, pendant: 71 mm wide (13.2 cm including stand)



From the private collection of a London gentleman, from his grandfather's collection formed before the early 1970s. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D’Amato. This lot is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

Borre-style beast and integral suspension loop with linear detailing; the openwork plaque with pelletted border and scrolled florid niello-filled panels, beast with pelletted band to the body and gripping hands on the border, facing mask below the loop. 21.1 grams, 40 mm



Private collection formed in Europe in the 1980s. Westminster collection, central London, UK. This lot has been cleared against the Art Loss Register database, and is accompanied by an illustrated lot declaration signed by the Head of the Antiquities Department, Dr Raffaele D'Amato.

There is a class of discoid pendants with banded borders and contorted figures found in the hinterland of the Baltic region, associated with the influence of Scandinavian settlers. The design of these items recalls specific elements of Scandinavian art - for example, the 'gripping hands' motif is a feature of the Oseberg Style named after the famous Norwegian ship-burial. Oseberg Style is associated with the beginnings of the Viking age, and was current in the 9th century when Scandinavian settlers began to establish centres of trade and political control in the area of the rivers Dnieper and Volga. The motif has been interpreted as a horse and linked with various legends and mythic figures.