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LOT 0245
Sassanian Tapestry Fragment with Ducks and Horses
7TH-8TH CENTURY A.D.
13 5/8 x 10 in. (365 grams, 34.6 x 25.6 cm).
Rectangular tapestry panel with repeating designs of a circular border with reserved hexagons enclosing the head and neck of an advancing horse in profile, opposed pairs of ducks with curled wings; mounted on a wooden-framed fabric backing. [No Reserve]
ProvenanceAcquired from Esther Fitzgerald Rare Textiles, London, UK.
Property of a North American gallery.
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AUCTIONS:
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Western Asiatic Silver Earring Pair
Circa 1st millennium B.C.Sold for (Inc. bp): £65
Comprising two hoop earrings with hollow-form beads, each bead embellished with filigree. 4.13 grams total, 23-32 mm
UK private collection before 2000. On the UK art market. Property of a London gentleman. -
Western Asiatic Lapis Lazuli and Stone Bead Necklace
1st millennium B.C. and laterEstimate: £300 - 400 (+bp*)
Opening Bid: £150
A restrung designer necklace composed of cylindrical white stone beads interspersed with oblate lapis lazuli beads and featuring seven unusual collared flattened beads in darker stone. 98 grams, 80 cm
Ex French gallery, 1970-1990. Paris collection, France. -
Phoenician Bronze Seated Figure Holding an Offering Cup
Circa 6th century B.C.Sold for (Inc. bp): £1,040
Modelled in the round with tight-fitting robe and carefully detailed tiered hairstyle; right hand raised to support a chalice; peg beneath the feet; mounted on a custom-made display stand. 301 grams total, 11 cm including stand
Acquired on the French art market. From a collection acquired on the UK art market from various auction houses and collections mostly before 2000. From an important Cambridgeshire estate; thence by descent.
Iberian statuettes from 6th century B.C. were produced under the influence of Greeks and Phoenicians. Small votive offerings of priests, priestesses, and deities in bronze, were found everywhere in Spain. The body of these figurines is often reduced to a rectangular plaque, but the head, as in all these types, is of plastic work, a process which reminds the prehistoric terracottas from the Argive Heraeum and elsewhere. The curve of the nose, which gives the face a Semitic appearance, is not accidental, and underlines the Phoenician influence.
